19:30 Theater im Delphi

Chamber concert by the RSB Orchestra Academy

Enjoy four or eight chamber concerts for a special price. Book a package.

Sextett für zwei Violinen, zwei Violen und zwei Violoncelli f-Moll

Sofia Gubaidulina

Fünf Etüden für Harfe, Kontrabass und Schlagzeug

Felix Mendelssohn Bartholdy

String Octet in E flat major Op.20

Cristina Casak

Violin

Seogyun Noh

Violin

Antonia Mütze

Viola

Livia Paté

Viola

Danbin Lee

Violoncello

Ji Woon Yoon

Violoncello

Maud Edenwald ép. Könczei

Harp

Jannis Lichtenfels

Percussion

Yuen Kiu Marco Yeung

Double Bass

Arisa Hagiwara

Violin

Yu-Chen Fan

Violin

Myung Joo Kim

Violin

Romina Bernsdorf

Violin

Berkay Olgun

Viola

Oliwia Meiser

Violoncello

Junha Moon

Double Bass

Grantees of the Rundfunk-Sinfonieorchester Berlin

Fresh as dew and timeless

Waldeck, in the Fichtelgebirge mountains, is where German composer Hans Kößler was born on 1 January 1853. After completing his studies in Munich and Dresden, he spent 43 years as a university lecturer in Budapest (where he taught composition to Zoltán Kodály, Béla Bartók, Emmerich Kálmán, Ernst von Dohnányi and Leó Weiner, among others), and is now sometimes referred to as the Hungarian musician János Koessler. Among Koessler’s approximately 130 compositions, the string sextet is something of a hidden gem. Published in 1902, it is in no way inferior to its better-known counterparts byJohannes Brahms!
Sofia Gubaidulina died on 13 March 2025 at the age of 93. This grand dame of contemporary music maintained her artistic independence throughout her life, as evidenced by her Five Etudes for Harp, Double Bass and Percussion, which were premiered “by musician friends in March 1966 at the Moscow Youth Music Club, the Soviet alternative scene, so to speak. It is striking how individual, free from stylistic norms, contrasting and multifaceted these five short character pieces are. Even the boundaries between jazz and folkloric music are fluid. … After more than half a century, this music still seems fresh and timeless.” (Eckhard Weber)
And what about the immortal octet by the 16-year-old Felix Mendelssohn? His sister Fanny, for example, raves about its scherzo: “The entire piece is performed staccato and pianissimo, the individual tremolando shivers, the lightly flashing trills: Everything is new. Strange and yet so familiar, so alienating, one feels so close to the spirit world, so lightly lifted into the air, one wants to pick up a broomstick to better follow the merry band. At the end, the first violin flutters feather-light – and all is dispersed.”