At the Peak
Musical flights to the mountain tops
Johannes Brahms Violin Concerto in D major, op. 77
Richard Strauss “Alpine Symphony”, op. 64
Vladimir Jurowski - Conductor
Akiko Suwanei - Violin
Vladimir Jurowski - Conductor
Vladimir Jurowski has been chief conductor and artistic director of the Rundfunk-Sinfonieorchester Berlin since autumn 2017. The conductor, pianist and musicologist Vladimir Jurowski takes on all challenges whether they be stylistic, technical or music-historical.
After receiving training at the Moscow Conservatory Vladimir Jurowski emigrated to Germany in 1990. Here he continued his studies at the music conservatories in Dresden and Berlin – conducting with Rolf Reuter; correpetition and song accompaniment with Semion Skigin. In 1995 he made his international debut at the British Wexford Festival with Rimski-Korsakov’s “Mainacht” and in the same year at the Royal Opera House Covent Garden with “Nabucco”. Subsequently he was, among other things, First Kapellmeister of the Komische Oper Berlin (1997- 2001) and Music Director of the Glyndebourne Festival Opera (2001-2013). In 2003 Vladimir Jurowski was appointed Principal Guest Conductor of the London Philharmonic Orchestra and has been its Principal Conductor since 2007 and will stay on until summer 2021. He is also Artistic Director of the State Academic Symphony Orchestra Yevgeny Svetlanov of the Russian Federation until summer 2021, Artistic Director of the International George Enescu Festival in Bucharest and Principal Artist of the Orchestra of the Age of Enlightenment in Great Britain. He works regularly with the Chamber Orchestra of Europe and the ensemble unitedberlin. With the start of the 2021/2022 season, Vladimir Jurowski will take on one of the most prestigious roles in German musical life in addition to his engagement with the Rundfunk-Sinfonieorchester Berlin, by becoming General Music Director of the Bavarian State Opera in Munich, a position for which he signed a contract in 2018.
Vladimir Jurowski is in high demand around the world as a guest conductor. He has conducted the major orchestras of Europe and North America, including the Berlin, Vienna and New York Philharmonic Orchestras, the Royal Concertgebouw Orchestra Amsterdam, the Cleveland and Philadelphia Orchestras, the Boston and Chicago Symphony Orchestras, the Tonhalle Orchestra Zurich, the Staatskapelle Dresden and the Leipzig Gewandhaus Orchestra. As a guest conductor, Vladimir Jurowski conducted Prokofiev’s “Semyon Kotko” with the Radio Filharmonisch Orkest of the Netherlands in the Concertgebouw Amsterdam, made his debut at the Salzburg Easter Festival with the Staatskapelle Dresden, debuted with the Czech Philharmonic Orchestra, performed with the Gustav Mahler Youth Orchestra and the Mahler Chamber Orchestra at the Lucerne Festival and conducted a unique project with the London Sinfonietta in Moscow to mark the UK-Russian Year of Culture. Together with the Rundfunk-Sinfonieorchester Berlin he performed in Japan in spring 2019 and at the George Enescu Festival in Bucharest in autumn 2019.
The first joint CD by Vladimir Jurowski and the Rundfunk-Sinfonieorchester Berlin from 2015 immediately marked a milestone. Alfred Schnittke’s Symphony No. 3 was followed in 2017 by a Strauss/Mahler recording and a CD of violin concertos by Britten and Hindemith with soloist Arabella Steinbacher. In 2020, a critically acclaimed recording of Gustav Mahler’s “Das Lied von der Erde” was released.
Vladimir Jurowski has been the recipient of numerous awards for his achievements, including various international record prizes. In 2018, the Royal Philharmonic Society Music Awards named him Conductor of the Year. In 2016, he was bestowed an honorary doctorate from Prince Charles at the Royal College of Music in London. In 2020, Jurowski will be awarded the Order of Cultural Merit by the Romanian President in recognition of his work as Artistic Director of the George Enescu Festival.
Akiko Suwanei - Violin
Praised by The Times for her “noble playing, with its rhythmic life, taut and rigorous,” Japanese violinist Akiko Suwanai was the youngest ever winner of the International Tchaikovsky Competition in 1990. Since then she has enjoyed a flourishing international career and appears regularly with celebrated maestros and foremost orchestras across the globe.
This season Akiko Suwanai debuts with the Staatskapelle Dresden and Peter Eötvös performing his iconic violin concerto Seven. She also performs in Berlin and goes on tour to Japan with the Rundfunk-Sinfonieorchester Berlin and Vladimir Jurowski, and debuts with Helsinki Philharmonic Orchestra and Susanna Mälkki. Other 2018/19 highlights include Yomiuri Nippon Symphony Orchestra with Sylvain Cambreling, Orchestre National du Capitole de Toulouse with Klaus Mäkelä, and Japan Philharmonic Orchestra with Pietari Inkinen. In addition, Akiko Suwanai opens the newly launched EUPHONIE Festival in Warsaw with the Polish National Radio Symphony Orchestra and Lawrence Foster and closes the Bratislava Music Festival with the Slovak Philharmonic and Eivind Gullberg Jensen. In November 2018, Akiko Suwanai joins prestigious Long-Thibaud-Crespin International Violin Competition in Paris as the Jury member.
An extremely keen chamber musician, Akiko Suwanai enjoys fruitful and longstanding collaborations with several artistic partners. In 2018/19, she concludes a 3-year Beethoven residency at Kumho Art Hall in Seoul with Yoko Kaneko. Summer months see Akiko Suwanai performing chamber music programmes with other world-renowned musicians at the Martha Argerich Festival in Hamburg, and Chamber Music Festival in Rosendal founded by Leif Ove Andsnes.
In recent years, Akiko Suwanai has established collaborations with Bamberger Symphoniker and Detroit Symphony Orchestra. She also performed with Orchestre de Paris and Paavo Järvi, Valery Gergiev and The Mariinsky Orchestra, Hong Kong Philharmonic and Lawrence Foster, Gürzenich-Orchester Köln and François-Xavier Roth, Israel Philharmonic Orchestra and Gianandrea Noseda and The Philadelphia Orchestra and Pablo Heras-Casado.
Previously, she has worked with Philharmonia Orchestra, BBC Philharmonic, London Symphony Orchestra, City of Birmingham Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Oslo and Czech Philharmonic orchestras, Danish National and Iceland Symphony orchestras as well as Belgrade Philharmonic Orchestra. Conductor collaborations have included Vladimir Ashkenazy, Sir Andrew Davis, Cristian Măcelaru, Susanna Mälkki, Yannick Nézet-Séguin, Gianandrea Noseda, Sakari Oramo, Andrés Orozco-Estrada, Seiji Ozawa, Antonio Pappano, David Robertson, Yuri Temirkanov and Mark Wigglesworth.
Universally acclaimed for her performances of key violin repertoire works, Akiko Suwanai is also widely recognised for her master interpretations of lesser-performed works and passion for new music. In 2007, she premiered Peter Eötvös’ violin concerto Seven at Lucerne Festival under Pierre Boulez, and in the following year she took this work to the BBC Proms where she appeared alongside Susanna Mälkki and Philharmonia Orchestra. She also gave Japanese premieres to important new works such as violin concertos by James MacMillan and Esa-Pekka Salonen.
Akiko Suwanai is the Artistic Director of the International Music Festival NIPPON which she launched in 2012. Offering a variety of orchestral and chamber music concerts, master classes and charity events, the Festival regularly organizes Japanese premieres and commissions new works by Japanese and international composers. As part of the festival, Akiko Suwanai gave among others the Japanese premiere of Karol Beffa’s Violin Concerto with Deutsche Kammerphilharmonie Bremen and Paavo Järvi, and premiered Eric Tanguy’s In a Dream with pianist Akira Eguchi as well as Dai Fujikura’s Pitter-Patter with Boris Berezovsky.
As well as winning the International Tchaikovsky Competition, Akiko Suwanai has won numerous awards. These include the International Paganini Competition and the Queen Elisabeth International Competition. She studied at the Toho Gakuen School of Music with Toshiya Eto, Columbia University, and the Juilliard School of Music with Dorothy DeLay and Cho-Liang Lin, and at the Hochschule der Künste in Berlin with Uwe-Martin Haiberg. Her extensive discography with Universal Music and Decca Classics has garnered much critical acclaim in Japan and worldwide.
Akiko Suwanai performs on the Stradivarius ‘Dolphin’ violin from 1714, one of the most famous violins known today and previously owned by Jascha Heifetz, which has been kindly loaned to her by the Nippon Music Foundation.
Sun 24 February 2019 - 8 pm Konzerthaus Berlin
- from € 20
- Pre-concert talk with Steffen Georgi: 6.45 pm, Ludwig-van-Beethoven-Saal
A lift, accessible via the stage entrance (Charlottenstraße), is available for the use of the physically disabled. Disabled toilets can be found close to the stage entrance and at Café Konzerthaus. Identified parking for the disabled is available in Charlottenstraße (close to the stage entrance) and Markgrafenstraße (near Taubenstraße).
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service is happy to assist with any further questions. On site, you can contact the staff of the events service ARTIS, who will be happy to help you in any way.
For concerts with an introduction by our dramaturge, admission begins 75 minutes before the concert.
The building opens one hour before the start of concerts without such introductions.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the entrance foyer. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the stage porter (rear entrance) and can be collected there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
The gastronomic offers at the Konzerthaus, including refreshing drinks and delicious snacks, can be found in the Ludwig-van-Beethoven-Saal or Carl-Maria-von-Weber-Saal, as well as in the snack foyer. It is possible to reserve a table in advance and pre-order drinks and a snack for the interval, personally or by telephone: tel. 030 848 55 666.
No food or drinks may be taken into the concert hall.
Steffen Georgi, dramaturge of the RSB, offers free introductory talks to most symphonic concerts in the auxiliary rooms of the Konzerthaus or the Philharmonie. These take place 50 minutes (in the Philharmonie) or 60 minutes (in the Konzerthaus) before the start of the concert. The introductory talks will take place in German language. All relevant details may be found in our annotated concert calendar; see entries on respective concert dates.
Should you arrive too late for a concert, it will depend on the works being played when and whether there will be late admissions. Please speak to the staff of the respective venue. It may not be possible for you to take up your actual seat until the concert interval, as the music cannot be disturbed. No refund on ticket prices is possible.
Our programmes are sold by the admission stewards before each concert and in the interval, costing 3 € each.
RSB subscribers receive a free copy of the relevant programme on presentation of a voucher.
Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
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It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Route directions & parking location
The Konzerthaus can be accessed easily by the following means of public transport:
Bus M48 to U Stadtmitte/Leipziger Straße + 5 minutes walk, 100 to Unter den Linden/Friedrichstraße + 5 minutes walk, 147 to Französische Straße, 200 to Unter den Linden/Friedrichstraße + 5 minutes walk
Underground U2 to Hausvogteiplatz + 3 minutes walk or Stadtmitte + 5 minutes walk, U6 to Französische Straße + 4 minutes walk or Stadtmitte + 5 minutes walk, U55 to Brandenburger Tor + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26, S3, S5, S7, S9 to Friedrichstraße + 15 minutes walk, S1, S2, S25, S26 to Brandenburger Tor + 10 minutes walk
For those arriving by car, the following underground car park is available : Taubenstraße/Jägerstraße run by Contipark Parkgaragengesellschaft mbH (address of entrance: Taubenstraße 14, 10117 Berlin, The-Q). The cost of parking here is 2.00 Euros per hour. Exclusively for concert audiences: the Konzerthaus rate is 5.50 Euros for a full six hours parking. Simply get your parking ticket marked at the service desk in the foyer of the Konzerthaus.