Brett Dean's viola concerto amongst music inspired by life at the waterside
Benjamin Britten “Four Sea Interludes” from the opera “Peter Grimes” op. 33 a
Brett Dean Viola Concerto
Robert Schumann Symphony No. 3 in E-flat major, op. 97 (“Rhenish”)
John Storgårds - Conductor
Brett Dean - Viola
John Storgårds - Conductor
“Indeed, the impressive musical results supported the acclaim that has greeted the (…) Finnish conductor at every step of his rapid podium ascent worldwide.” (Chicago Tribune)
Chief Guest Conductor of the BBC Philharmonic Orchestra and Principal Guest Conductor of Canada’s National Arts Centre Orchestra Ottawa, John Storgårds has a dual career as a conductor and violin virtuoso and is widely recognised for his creative flair for programming. He additionally holds the title of Artistic Director of the Chamber Orchestra of Lapland.
Storgårds appears with such orchestras as WDR Sinfonieorchester Köln, Bamberger Symphoniker, Gewandhausorchester Leipzig, Orchestre Philharmonique de Radio France, Orchestre National de France, Orchestra Sinfonica Nazionale della RAI, BBC Symphony Orchestra as well as all the major Nordic orchestras including Helsinki Philharmonic Orchestra where he was Chief Conductor from 2008 to 2015. Further afield, he appears with the Sydney, Melbourne and NHK Symphony Orchestras as well as the St Louis and Vancouver Symphony Orchestras, the Cleveland Orchestra and the New York Philharmonic. Soloists with whom he collaborates include Yefim Bronfman, Sol Gabetta, Håkan Hardenberger, Kari Kriikku, Gil Shaham, Baiba Skride, Christian Tetzlaff, Jean-Yves Thibaudet and Frank Peter Zimmermann.
Storgårds’ vast repertoire includes all symphonies by Sibelius, Nielsen, Bruckner, Brahms, Beethoven, Schubert and Schumann. He gave a historical cycle of all 54 symphonies by Mozart (including the unnumbered works) and conducted Finnish premieres of Schumann’s only opera ‘Genoveva’, his early ‘Zwickau’ symphony, plus world premieres of Sibelius’ Suite op. 117 for violin and strings and the Late Fragments. As a violinist, Storgårds gave the Finnish premiere of Schumann’s own violin version of the cello concerto and his Violin Sonata No 3. Storgårds regularly performs world premieres of works by contemporary composers such as Brett Dean, Per Nørgård, Kaija Saariaho and Pēteris Vasks. Many of these composers have dedicated their works to him. In opera he conducted the world premiere production of Sebastian Fagerlund’s new opera ‘Höstsonaten – Autumn Sonata’ at the Finnish National Opera and directed by Stéphane Braunschweig. The title was a finalist at the 2018 International Opera Awards. Storgårds further lead Haydn’s ‘Orlando Paladino’, a new production by Paul-Emile Fourny of Mozart’s ‘Don Giovanni’ at the Savonlinna Opera Festival as well as major titles by Strauss, Verdi and most Mozart operas.
Highlights of his 2018/19 season included Storgårds’ return to the BBC Proms with the BBC Philharmonic Orchestra as well as his return to the Blossom Festival with the Cleveland Orchestra. Debut appearances included the Pittsburgh and Dallas Symphony Orchestras, the Yomiuri Nippon Symphony Orchestra, Seoul Philharmonic Orchestra and Münchner Philharmoniker as well as the Sächsische Staatskapelle Dresden. He further gave his subscription series debut with the Boston Symphony Orchestra and returns to the Toronto Symphony Orchestra, the National Symphony Orchestra Washington as well as the Rundfunk-Sinfonieorchester Berlin for concerts at the Berliner Philharmonie as well as on tour conducting Bruckner’s monumental symphony No. 5.
Storgårds’ award winning discography includes recordings of works by Schumann, Mozart, Beethoven and Haydn but also rarities by Holmboe and Vasks’ featuring him as soloist. Two cycles of symphonies by Sibelius (2014) and Nielsen (2015) with the BBC Philharmonic were released to critical acclaim by Chandos. Their latest recording project includes works by the American avant-garde composer George Antheil. Other successes include discs of works by Nørgård, Korngold, Aho and Rautavaara, the latter receiving a Grammy nomination and a Gramophone Award in 2012.
Storgårds studied violin with Chaim Taub and subsequently became concert master of the Swedish Radio Symphony Orchestra under Esa-Pekka Salonen, before studying conducting with Jorma Panula and Eri Klas. He received the Finnish State Prize for Music in 2002 and the Pro Finlandia Prize 2012.
Brett Dean - Viola
Brett Dean studied in Brisbane before moving to Germany in 1984 where he was a member of the Berlin Philharmonic for fourteen years, during which time he began composing. His music is championed by many of the leading conductors and orchestras worldwide, including Sir Simon Rattle, Vladimir Jurowski, David Robertson, Andris Nelsons, Marin Alsop and Sakari Oramo. Much of Dean’s work draws from literary, political, environmental or visual stimuli, including a number of compositions inspired by artwork by his wife Heather Betts.
Brett Dean began composing in 1988, initially concentrating on experimental film and radio projects and as an improvising performer. Dean’s reputation as a composer continued to develop, and it was through works such as his clarinet concerto Ariel’s Music (1995), which won an award from the UNESCO International Rostrum of Composers, and Carlo (1997) for strings, sampler and tape, inspired by the music of Carlo Gesualdo, that he gained international recognition.
In 2009 Dean won the Grawemeyer Award for music composition for his violin concerto The Lost Art of Letter Writing and in 2016 was awarded the Don Banks Music Award by Australia Council, acknowledging his sustained and significant contribution to Australia’s musical scene. In June 2017 his second opera Hamlet was premiered at Glyndebourne Festival Opera to great acclaim, winning both the 2018 South Bank Sky Arts Awards and International Opera Awards for opera.
Dean enjoys a busy performing career as violist and conductor, performing his own Viola Concerto with many of the world’s leading orchestras. Dean is a natural chamber musician, frequently collaborating with other soloists and ensembles to perform both his own chamber works and standard repertoire, including projects with the Doric Quartet, Scharoun Ensemble and Alban Gerhardt. Dean’s imaginative conducting programmes usually centre around his own works combined with other composers and highlights include his appointment as Creative Chair at Tonhalle-Orchester Zürich 2017/18, projects with the BBC Symphony, Los Angeles Philharmonic, Concertgebouw Orchestra, Melbourne Symphony, Sydney Symphony, BBC Philharmonic, Gothenburg Symphony, Toronto Symphony, Tonkünstler-Orchester, Stuttgart Chamber Orchestra and as Artist in Residence with the Swedish Chamber Orchestra.
Dean is 2018/19 Composer in Residence of Radio Symphony Orchestra Berlin, which sees Dean join the orchestra as soloist in his Viola Concerto, and a focus on Dean’s orchestral and chamber works throughout the season. Dean also continues as Artist in Residence with Sydney Symphony Orchestra across 2016-2018.
Highlights of 2018/19 include the world premiere of Dean’s Cello Concerto for Alban Gerhardt, which will be premiered by Sydney Symphony conducted by David Robertson in August 2018 and receives its European premiere from the Berlin Philharmonic conducted by Sakari Oramo in October 2018. In April 2019 a new chamber work will be premiered at New York’s Lincoln Center and London’s Wigmore Hall, and Dean’s String Quartet No.3 will be premiered by the Doric String Quartet in June 2019 in an Australian tour.
Dean opens the season performing the UK premiere of Approach: Prelude to a Canon at the BBC Proms with Swedish Chamber Orchestra, before performing the German premiere at Rheingau Festival, where he is 2018 artist in focus. Elsewhere this season Dean joins Radio Symphony Orchestra Berlin and Helsinki Philharmonic to perform his Viola Concerto and conducts a number of orchestras including Sydney Symphony, Adelaide Symphony, Swedish Chamber Orchestra and the Australian National Academy of Music.
Brett Dean’s music has been recorded for BIS, Chandos, Warner Classics, ECM Records and ABC Classics, with a BIS release in 2016 of works including Shadow Music, Testament, Short Stories and Etudenfest performed by Swedish Chamber Orchestra conducted by Dean. Dean’s Viola Concerto has also been released on BIS with the Sydney Symphony, and a DVD of Hamlet was released by Glyndebourne in June 2018.
Sun 9 December 2018 - 4 pm Philharmonie Berlin
- from € 20
- Pre-concert talk with Steffen Georgi: 2.45 pm, Hermann-Wolff-Saal
As the Berlin Philharmonic Hall is a listed building, unfortunately it is not fully accessible in all areas. Further information regarding entrances for the disabled, places in the disabled box, and offers of help for the sight and hearing impaired are available on the website of the Philharmonie.
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service (link) is happy to assist with any further questions. On site, you can contact the staff of the events service EVENTTEAM, who will be happy to help you in any way.
The building opens one hour before the start of concerts.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the foyer or on the first floor opposite Block A right. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the porter at the stage door (in the direction of Potsdamer Platz) and can be collected from there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
Snacks and drinks are sold in the foyer of the Philharmonie before concerts and in the concert intervals. These can be ordered in advance for the opening of doors and the interval, please ring tel. 030 265 15 24 or via email to email@example.com.
No food or drink may be taken into the concert hall.
Steffen Georgi, dramaturge of the RSB, offers free introductory talks to most symphonic concerts in the auxiliary rooms of the Konzerthaus or the Philharmonie. These take place 50 minutes (in the Philharmonie) or 60 minutes (in the Konzerthaus) before the start of the concert. The introductory talks will take place in German language. All relevant details may be found in our annotated concert calendar; see entries on respective concert dates.
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Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
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› Fixed price of 8 € for concerts or 10 € for opera and ballet (depending on availability at the evening box office)
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It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Route directions & parking location
It is easy to access the Philharmonie by public transport:
Buses M84, M85, N2 to Kulturforum or Varian-Fry-Str. or Potsdamer Platz + 4 minutes walk, 200 to Philharmonie
Underground U2 to Potsdamer Platz + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26 and regional trains to Potsdamer Platz + 10 minutes walk
Current information: due to building works around the Philharmonie, traffic is being diverted in the area of Herbert-von-Karajan-Straße and Tiergartenstraße. For further information, please consult the website of the Philharmonie.
There are a limited number of charged parking spaces on the site of the Philharmonie:
per hour or part-hour 2.50 Euros
day maximum 20.00 Euros
lost ticket 20.00 Euros
evening rate 7 pm to 5 am 7.00 Euros
Sunday flat rate 6.00 Euros
Please also use parking possibilities in the Sony Center (entrances Ben-Gurion- and Bellevuestraße) as well as Potsdamer Platz Arkaden (entrance to underground parking on Reichpietschufer) and in the car park on Schöneberger Ufer. All these are public parking areas belonging to the City of Berlin, on behalf of which they are administrated by APCOA Autoparking GmbH.
The public parking areas on Herbert-von-Karajan-Straße (on the western side of the Philharmonie) provide a limited number of identified parking spaces for the disabled. Unfortunately, it is generally not possible to reserve parking spaces.