Voices of Nature
Finished pieces by Bruch - Bruch's violin concerto between fragments, completions ans continued developments
Peter Ruzicka “Elegy” – Remembrance for Orchestra
Max Bruch Violin Concerto No. 1 in G minor, op. 26
George Enescu “Voix de la Nature” (Nuages d’automne sur les forêts) – Fragment for orchestra, op. post.
George Enescu Symphony No. 4 in E minor (completed by Pascal Bentoiu)
Peter Ruzicka - Conductor
Ray Chen - Violin
Peter Ruzicka - Conductor
Peter Ruzicka was born in Duesseldorf on July 3, 1948. He received his early musical training (piano, oboe and composition) at the Hamburg Conservatory. Studies in composition with Hans Werner Henze and Hans Otte. He studied law and musicology in Munich, Hamburg and Berlin (doctoral thesis: Berlin, 1977). The list of his compositions includes numerous orchestral and chamber works as well as the opera „Celan”, which was premiered in Dresden in 2001. His opera “Hoelderlin” was premiered at the Berlin State Opera in 2008.
Peter Ruzicka was appointed professor at the Hochschule für Musik und Theater Hamburg in 1990. The composer is a member of the Bavarian Academy of Fine Arts in Munich and of the Free Academy of Arts in Hamburg.
Peter Ruzicka’s works were performed by leading international orchestras and ensembles like the Berlin Philharmonic Orchestra, the Vienna Philharmonic Orchestra, Symphony Orchestra of the Bavarian Radio Munich, German Symphony Orchestra Berlin, NDR Symphony Orchestra, Dresden Staatskapelle, Munich Philharmonic Orchestra, Bamberg Symphony Orchestra, Gewandhaus Orchestra Leipzig, Tonhalle Orchestra Zurich, Royal Concertgebouw Orchestra Amsterdam, Philharmonia Orchestra London, Philharmonic Orchestra de Paris, Czech Philharmony, Radio Symphony Orchestra Vienna, Israel Philharmonic Orchestra, Symphony Orchestra Montréal and the New York Philharmonic Orchestra. Conductors like Gerd Albrecht, Vladimir Ashkenazy, Semyon Bychkov, Riccardo Chailly, Christoph Eschenbach, Michael Gielen, Paavo Järvi, Mariss Jansons, Kurt Masur, Antonio Pappano, Giuseppe Sinopoli and Christian Thielemann have performed his works.
Peter Ruzicka was artistic director of the Berlin Radio Symphony Orchestra from 1979 to 1987 and director of the Hamburg State Opera and the State Philharmonic Orchestra from 1988 to 1997. Moreover, he was Artistic Advisor of the Royal Concertgebouw Orchestra in Amsterdam from 1997 to 1999. In 1999 he was named President of the Bavarian Theatre Academy. From 2001 to 2006, Ruzicka took over the Artistic Directorship of the Salzburg Festival. Until 2014 he was artistic director of the Munich Biennale having succeeded Hans Werner Henze in 1996. Since 2015 he serves as intendant of the Salzburg Easter Festival.
As a conductor of his own and other works, Peter Ruzicka has directed the German Symphony Orchestra in Berlin – recording CDs of music by Mahler, Pettersson and Schreker – the Royal Concertgebouw Orchestra, the Sächsische Staatskapelle Dresden, the Gewandhausorchester Leipzig, the Symphony Orchestra of the Bavarian Radio, the NDR Symphony Orchestra Hamburg – recording a cycle of 12 orchestral works by Hans Werner Henze -, the Bamberg Symphony Orchestra, the Radio Symphony Orchestra Stuttgart, the SWR Symphony Orchestra Baden-Baden and Freiburg, the WDR Symphony Orchestra Cologne, the Radio Symphony Orchestra Frankfurt, the MDR Symphony Orchestra Leipzig, the Munich Philharmonic, the Orchestra of the German Opera Berlin, the Vienna Symphony Orchestra, the Danish National Orchestra, the Czech Philharmonic Orchestra, the Orchestre symphonique de Montréal, the Yomiuri Nippon Symphony Orchestra Tokyo, the Shanghai Symphony Orchestra, the Hongkong Philharmonic Orchestra and the China Philharmonic Orchestra among others.
Ray Chen - Violin
Ray Chen is a violinist who redefines what it is to be a classical musician in the 21st Century. With a media presence that enhances and inspires the classical audience, reaching out to millions through his unprecedented online following, Ray Chen’s remarkable musicianship transmits to a global audience and is reflected in his engagements with the foremost orchestras and concert halls around the world.
Initially coming to attention via the Yehudi Menuhin (2008) and Queen Elizabeth (2009) Competitions, of which he was First Prize winner, he has built a profile in Europe, Asia, and the USA as well as his native Australia both live and on disc. Signed in 2017 to Decca Classics, the Ray’s recent recording with the London Philharmonic follows three critically acclaimed albums on SONY, the first of which (“Virtuoso”) received an ECHO Klassik Award.
Profiled as “one to watch” by the Strad and Gramophone magazines, Ray Chen’s profile continues to grow: he was featured on Forbes’ list of 30 most influential Asians under 30; made a guest appearance on Amazon’s “Mozart in the Jungle” TV series; participated in a multi-year partnership with Giorgio Armani (who designed the cover of his Mozart album with Christoph Eschenbach); and performs at major media events such as France’s Bastille Day (live to 800,000 people), the Nobel Prize Concert in Stockholm (telecast across Europe), and the BBC Proms.
Ray has performed with the London Philharmonic Orchestra, London Symphony, National Symphony Orchestra, Leipzig Gewandhausorchester, Munich Philharmonic, Filarmonica della Scala, Orchestra Nazionale della Santa Cecilia, Los Angeles Philharmonic, SWR Symphony, San Francisco Symphony, Pittsburgh Symphony, Berlin Radio Symphony, and Bavarian Radio Chamber Orchestra. He works with conductors such as Riccardo Chailly, Vladimir Jurowski, Sakari Oramo, Manfred Honeck, Kirill Petrenko, Krystof Urbanski and Juraj Valcuha. From 2012-2015 he was resident at the Dortmund Konzerthaus and during the 17/18 season was an “Artist Focus” with the Berlin Radio Symphony.
His presence on social media makes Ray Chen a pioneer in an artist’s interaction with their audience, utilizing the new opportunities of modern technology. His appearances and interactions with music and musicians are instantly disseminated to a new public in a contemporary and relatable way. He is the first musician to be invited to write a lifestyle blog for Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max). He has been featured in Vogue magazine and is currently releasing his own design of violin case for the industry manufacturer GEWA. His commitment to music education is paramount and inspires the younger generation of music students with his series of self-produced videos combining comedy and music. Through his online promotions his appearances regularly sell out and draw an entirely new demographic to the concert hall.
Born in Taiwan and raised in Australia, Ray was accepted to the Curtis Institute of Music at age 15, where he studied with Aaron Rosand and was supported by Young Concert Artists. He plays the 1715 “Joachim” Stradivarius violin on loan from the Nippon Music Foundation. This instrument was once owned by the famed Hungarian violinist, Joseph Joachim (1831-1907).
Fri 28 September 2018 - 8 pm Konzerthaus Berlin
- from € 20
- Pre-concert talk with Steffen Georgi: 6.45 pm, Ludwig-van-Beethoven-Saall
A lift, accessible via the stage entrance (Charlottenstraße), is available for the use of the physically disabled. Disabled toilets can be found close to the stage entrance and at Café Konzerthaus. Identified parking for the disabled is available in Charlottenstraße (close to the stage entrance) and Markgrafenstraße (near Taubenstraße).
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service is happy to assist with any further questions. On site, you can contact the staff of the events service ARTIS, who will be happy to help you in any way.
For concerts with an introduction by our dramaturge, admission begins 75 minutes before the concert.
The building opens one hour before the start of concerts without such introductions.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the entrance foyer. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the stage porter (rear entrance) and can be collected there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
The gastronomic offers at the Konzerthaus, including refreshing drinks and delicious snacks, can be found in the Ludwig-van-Beethoven-Saal or Carl-Maria-von-Weber-Saal, as well as in the snack foyer. It is possible to reserve a table in advance and pre-order drinks and a snack for the interval, personally or by telephone: tel. 030 848 55 666.
No food or drinks may be taken into the concert hall.
Steffen Georgi, dramaturge of the RSB, offers free introductory talks to most symphonic concerts in the auxiliary rooms of the Konzerthaus or the Philharmonie. These take place 50 minutes (in the Philharmonie) or 60 minutes (in the Konzerthaus) before the start of the concert. The introductory talks will take place in German language. All relevant details may be found in our annotated concert calendar; see entries on respective concert dates.
Should you arrive too late for a concert, it will depend on the works being played when and whether there will be late admissions. Please speak to the staff of the respective venue. It may not be possible for you to take up your actual seat until the concert interval, as the music cannot be disturbed. No refund on ticket prices is possible.
Our programmes are sold by the admission stewards before each concert and in the interval, costing 3 € each.
RSB subscribers receive a free copy of the relevant programme on presentation of a voucher.
Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
› for all those under 30
› Sit in the best seats for one year as from date requested
› Fixed price of 8 € for concerts or 10 € for opera and ballet (depending on availability at the evening box office)
› valid all participating ensembles' own events and venues: RundfunkSinfonieorchester Berlin, Rundfunkchor Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Konzerthaus Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Staatsoper im Schiller Theater, Staatsballett Berlin › Monthly bonus and visits to rehearsals, raffle to win a role as an extra etc. › All advantages for only 15 €, further information: www.classiccard.de
› for young people aged 14 to 21 › Experience Berlin's top musicians: Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, Konzerthausorchester Berlin, Berliner Philharmoniker, Junge Deutsche Philharmonie, Bundesjugendorchester › Six concerts per season for a package price of only 36 € › Additional bonus as well as special concert introductions, talks with musicians etc., further information: www.berlinerjugendabo.de
It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Route directions & parking location
The Konzerthaus can be accessed easily by the following means of public transport:
Bus M48 to U Stadtmitte/Leipziger Straße + 5 minutes walk, 100 to Unter den Linden/Friedrichstraße + 5 minutes walk, 147 to Französische Straße, 200 to Unter den Linden/Friedrichstraße + 5 minutes walk
Underground U2 to Hausvogteiplatz + 3 minutes walk or Stadtmitte + 5 minutes walk, U6 to Französische Straße + 4 minutes walk or Stadtmitte + 5 minutes walk, U55 to Brandenburger Tor + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26, S3, S5, S7, S9 to Friedrichstraße + 15 minutes walk, S1, S2, S25, S26 to Brandenburger Tor + 10 minutes walk
For those arriving by car, the following underground car park is available : Taubenstraße/Jägerstraße run by Contipark Parkgaragengesellschaft mbH (address of entrance: Taubenstraße 14, 10117 Berlin, The-Q). The cost of parking here is 2.00 Euros per hour. Exclusively for concert audiences: the Konzerthaus rate is 5.50 Euros for a full six hours parking. Simply get your parking ticket marked at the service desk in the foyer of the Konzerthaus.