Matthias Pintscher & Xavier de Maistre

Matthias Pintscher is the newly appointed Music Director of the Kansas City Symphony, effective from the 2024-25 season. He has just concluded a successful decade-long tenure as the Music Director of the Ensemble Intercontemporain, the iconic Parisian contemporary ensemble founded by Pierre Boulez and winner of the 2022 Polar Prize of the Royal Swedish Academy. During his stewardship, Pintscher led this most adventurous institution in the creation of dozens of world premieres, recorded CDs of music by cutting edge composers from all over the world, and took the ensemble on tours around the globe – to Asia and North America, and throughout Europe to all the major festivals and concert halls.

The 2023-24 season saw Pintscher in his fourth year as Creative Partner at the Cincinnati Symphony, where he conducted a new work by inti figgis-vizueta, as well as an immersive video-concert of Olivier Messiaen’s Des Canyons aux étoiles. He also toured with the Junge Deutsche Philharmonie where he was artist in residence. As guest conductor, he returned to the RAI Milano Musica, Orchestre de Chambre de Paris, NDR Hamburg, Indianapolis Symphony, Milwaukee Symphony, Barcelona Symphony, Lahti Symphony, Deutsche Kammerphilharmonie Bremen, La Scala, and Berlin’s Boulez Ensemble. Pintscher has conducted several opera productions for the Berliner Staatsoper (Wagner’s Lohengrin and The Flying Dutchman), Wiener Staatsoper (Olga Neuwirth’s Orlando), and the Théatre du Châtelet in Paris. He returned to the Berliner Staatsoper in 2024 for Beat Furrer’s Violetter Schnee.

Pintscher is also well known as a composer, and his works appear frequently on the programs of major symphony orchestras throughout the world.  In August 2021, he was the focus of the Suntory Hall Summer Festival – a weeklong celebration of his works with the Tokyo Symphony Orchestra as well as a residency by the EIC with symphonic and chamber music performances. His third violin concerto, Assonanza, written for Leila Josefowicz, was premiered in January 2022 with the Cincinnati Symphony. Another 2021-22 world premiere was neharot, a co-commission of Suntory Hall, Orchestre Philharmonique de Radio France, Orchestre de la Suisse Romande, Los Angeles Philharmonic, and Staatskapelle Dresden, where he was named Capell-Compositeur. In the 2016-17 season, he was the inaugural composer-in-residence of the Elbphilharmonie Hamburg, and from 2014 to 2017, he was artist-in-residence at the Danish National Symphony Orchestra, as well as composer-in-residence at Salzburg Festival and Lucerne Festival.

Pintscher has held titled positions, most recently as the BBC Scottish Symphony Orchestra’s Artist-in-Association for nine seasons. In 2020, he was Music Director at Ojai Festival, and in 2018-19, he served as the Season Creative Chair for the Tonhalle-Orchester Zürich and Artist-in-Residence at the Los Angeles Chamber Orchestra. An enthusiastic supporter of and mentor to students and young musicians, Pintscher was Principal Conductor of the Lucerne Festival Academy Orchestra, ran the Heidelberger Atelier, an academy for young musicians and composers, from 2005 to 2018, and has worked with the Karajan Academy of the Berlin Philharmonic, Music Academy of the West, National Orchestral Institute, and Junge Deutsche Philharmonie. He appears virtually every season with the New World Symphony in Miami, a training orchestra for post-conservatory, pre-professional musicians. Pintscher has been on the composition faculty of the Juilliard School since 2014.

Matthias Pintscher began his musical training in conducting, studying with Pierre Boulez and Peter Eötvös in his early twenties, when composing soon took a more prominent role in his life. He rapidly gained critical acclaim in both areas of activity and continues to compose in addition to his conducting career. A prolific composer, Pintscher’s music is championed by some of today’s finest performing artists, orchestras, and conductors. His works have been performed by such orchestras as the Boston Symphony, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, Berlin Philharmonic, London Symphony Orchestra, Royal Concertgebouw Orchestra, and the Orchestre de Paris, among many others. He is published exclusively by Bärenreiter, and recordings of his works can be found on Kairos, EMI, Teldec, Wergo, and Winter & Winter.

Xavier de Maistre is one of today’s leading harpists and a profoundly creative musician. As a fierce champion of his instrument, he has broadened the harp repertoire, commissioning new work from composers. He also creates transcriptions of important instrumental repertoire.

This musical vision has led him to work with conductors including Sir André Previn, Sir Simon Rattle, Riccardo Muti, Daniele Gatti, Philippe Jordan, James Gaffigan, Bertrand de Billy, Andrés Orozco-Estrada, Daniel Harding, Susanna Mälkki and Mirga Gražinytė-Tyla. He has been invited by orchestras such as Chicago, Montreal, City of Birmingham, NHK, Swedish and Finnish Radio symphony orchestras; Los Angeles, London, St Petersburg, Oslo and China philharmonic orchestras; Tonhalle-Orchester Zürich, Mozarteum Orchester Salzburg, Orquestra Sinfônica do Estado de São Paulo and Orchestre de la Suisse Romande. In his native France he has worked with Orchestre de Paris, the national orchestras of France and Lyon, the philharmonic orchestras of Radio France, Monte-Carlo, Montpellier, Lille and Nancy, and recitals in Paris and Lille operas, Lyon, Bordeaux, Nice, Poitiers and Avignon, among other places.

Parallel to his orchestral concerts, Xavier is passionate about chamber music and regularly puts together original recital projects. In 2020 he began a new collaboration with tenor Rolando Villazón, with whom he records a project of South American folk songs for Deutsche Grammophon. Over the last seasons, he has worked with flamenco and castanet legend Lucero Tena in a programme of Spanish repertoire, touring major venues in Europe, Japan and China, and releasing an album (Sony Classical, 2018). Since summer 2020 he has been in residence at the Schleswig-Holstein Musik Festival. As a soloist he has been a guest at many top festivals, including Rheingau, Salzburger Festspielen, Wiener Festwochen, Verbier, Budapest Spring, Würzburg Mozartfest and Mostly Mozart in New York. He also works regularly with Diana Damrau, Arabella Steinbacher, Daniel Müller-Schott, Baiba Skride, Antoine Tamestit, Mojca Erdmann and Magali Mosnier.

During the 2022/23 season, Xavier goes on tour with Orchestre National de France in Germany and in Austria under the direction of Cristian Măcelaru to play Reinhold Glière’s famous harp concerto for the release of his new album. He also performs with Beethoven Orchester Bonn, Monte Carlo Philharmonic, Royal Stockholm Philharmonic, Helsinki Philharmonic Orchestra, Paris Chamber Orchestra and at the Musica Festival in Strasbourg. Xavier de Maistre also performs in solo recitals in venues such as the Staatsoper Berlin, in duo with Rolando Villazón at the Staatsoper Frankfurt and the Elbphilharmonie Hamburg, and in duo with Diana Damrau at La Fenice in Venice.

Xavier has been an exclusive Sony Music artist since 2008, when he recorded his first album, Nuit d’Etoiles, dedicated to Debussy. Further releases included Hommage à Haydn (2009), Aranjuez (2010) and Notte Veneziana (2012), featuring significant Baroque repertoire, Moldau (2015), solo harp pieces by Slavic composers, and La Harpe Reine (2016) with Les Arts Florissants and William Christie. His album Christmas Harp (October 2021) features paraphrases and fantasies of famous Christmas carols as well as melodies by Schubert and Tchaikovsky. In autumn 2022, his last CD dedicated to Russian music is released, featuring Reinhold Glière’s famous harp concerto and Alexander Mosolov’s forgotten concerto, accompanied by WDR Sinfonieorchester Köln under the baton of Nathalie Stutzmann.

Born in Toulon, Xavier studied the harp with Vassilia Briano at his local conservatoire, before perfecting his technique with Catherine Michel and Jacqueline Borot in Paris. He also studied in Sciences-Po Paris and then at the London School of Economics. In 1998 he was awarded First Prize (and two interpretation prizes) at the prestigious USA International Harp Competition (Bloomington) and became the same year the first French musician to be admitted at the Wiener Philharmoniker.

He has taught at Musikhochschule in Hamburg since 2001.

He plays on a Lyon & Healy instrument.