Brazilian-French-Spanish evening all about the sense of home and love
Maurice Ravel “Spanish Rhapsody” for orchestra
Erich Wolfgang Korngold Violin Concerto in D major, op. 35
Darius Milhaud “Le Bœuf sur le toit” – Orchestral Fantasy, op. 58
Maurice Ravel “Daphnis et Chloé” – Orchestral Suite No. 2 from the ballet of the same name
Alondra de la Parra - Conductor
Arabella Steinbacher - Violin
Alondra de la Parra
Alondra de la Parra - Conductor
Alondra de la Parra has gained widespread attention for her spellbinding and vibrant performances and her commitment to Latin American composers. She frequently works with some of the world’s most prestigious orchestras including Orchestre de Paris, London Philharmonic Orchestra, Tonhalle-Orchester Zürich, Bamberg Symphony, Swedish Radio Symphony Orchestra, São Paulo Symphony Orchestra, Berlin Radio Symphony Orchestra and Orchestra dell’Accademia Nazionale di Santa Cecilia.
In 2017, she began her term as Music Director of the Queensland Symphony Orchestra, making her the first ever Music Director of an Australian orchestra.
She holds the distinction of being the first Mexican woman to conduct in New York City and is an official Cultural Ambassador of Mexico. In March 2017,
Alondra de la Parra was named brand ambassador for Mercedes-Benz Mexico.
In July 2017, Deutsche Welle created Musica Maestra, a new classical format featuring Alondra de la Parra as both protagonist and reporter in a series of 26 web videos and six television shows.
In the 2018/19 season, she will return to the Elbphilharmonie Hamburg, conduct the Berlin Radio Symphony Orchestra at Konzerthaus Berlin, open the season with Camerata Salzburg and join the London Philharmonic Orchestra for a UK tour, among other engagements.
Arabella Steinbacher - Violin
Celebrated worldwide as one of today’s leading violinists, Arabella Steinbacher has been praised as the “queen of the evening” for her “brilliant playing”, “extraordinary sound” and “softly blossoming tone”.
Highlights of the 18-19 season include appearances in Australia and New Zealand with the Sydney, Queensland, and Auckland Symphony Orchestras, a performance with the London Philharmonic Orchestra with Sir Roger Norrington, the Orchestre Philharmonique de Strasbourg, a tour of Germany with the Royal Philharmonic Orchestra, and a tour of Japan with the Danish National Symphony Orchestra under the baton of Fabio Luisi.
Steinbacher frequently appears with world-class orchestras around the globe including the New York Philharmonic, Boston Symphony Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Chicago Symphony Orchestra, and the Cleveland Symphony Orchestra. She has made acclaimed performances with the NDR Symphony Orchestra, Gewandhaus Orchestra Leipzig, Sao Paulo Symphony, Orchestra National de France, Vienna Symphony, Seoul Philharmonic Orchestra, NHK Symphony Orchestra and the Bavarian Radio Symphony Orchestra. She has collaborated with conductors including Lorin Maazel, Christoph von Dohnányi, Riccardo Chailly, Herbert Blomstedt, Christoph Eschenbach, Charles Dutoit, Marek Janowski, Yannick Nézet-Séguin and Thomas Hengelbrock.
Her latest recording with Berlin Radio Symphony Orchestra and Vladimir Jurowski features the Hindemith and Britten violin concertos. Arabella Steinbacher has been recording exclusively for Pentatone Classics since 2009.
Among many international and national music prizes and nominations, she has been twice awarded the ECHO Klassik.
As CARE ambassador, Steinbacher is driven to use music as a means to uplift and support those in need. She launched a December 2011 Japan tour in response to the tsunami disaster earlier that year. The DVD release “Arabella Steinbacher – Music of Hope” featured her outreach, and youth recitals from this tour and was released shortly after.
Born into a family of musicians, Steinbacher has played the violin since the age of three and studied with Ana Chumachenco at the Munich Academy of Music since the age of nine. A source of musical inspiration and guidance of hers is Israeli violinist Ivry Gitlis.
Steinbacher currently plays the 1716 “Booth” Stradivari, generously loaned by the Nippon Music Foundation.
Sat 12 January 2019 - 8 pm Konzerthaus Berlin
- from € 20
- No pre-concert talk
A lift, accessible via the stage entrance (Charlottenstraße), is available for the use of the physically disabled. Disabled toilets can be found close to the stage entrance and at Café Konzerthaus. Identified parking for the disabled is available in Charlottenstraße (close to the stage entrance) and Markgrafenstraße (near Taubenstraße).
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service is happy to assist with any further questions. On site, you can contact the staff of the events service ARTIS, who will be happy to help you in any way.
For concerts with an introduction by our dramaturge, admission begins 75 minutes before the concert.
The building opens one hour before the start of concerts without such introductions.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the entrance foyer. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the stage porter (rear entrance) and can be collected there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
The gastronomic offers at the Konzerthaus, including refreshing drinks and delicious snacks, can be found in the Ludwig-van-Beethoven-Saal or Carl-Maria-von-Weber-Saal, as well as in the snack foyer. It is possible to reserve a table in advance and pre-order drinks and a snack for the interval, personally or by telephone: tel. 030 848 55 666.
No food or drinks may be taken into the concert hall.
Steffen Georgi, dramaturge of the RSB, offers free introductory talks to most symphonic concerts in the auxiliary rooms of the Konzerthaus or the Philharmonie. These take place 50 minutes (in the Philharmonie) or 60 minutes (in the Konzerthaus) before the start of the concert. The introductory talks will take place in German language. All relevant details may be found in our annotated concert calendar; see entries on respective concert dates.
Should you arrive too late for a concert, it will depend on the works being played when and whether there will be late admissions. Please speak to the staff of the respective venue. It may not be possible for you to take up your actual seat until the concert interval, as the music cannot be disturbed. No refund on ticket prices is possible.
Our programmes are sold by the admission stewards before each concert and in the interval, costing 3 € each.
RSB subscribers receive a free copy of the relevant programme on presentation of a voucher.
Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
› for all those under 30
› Sit in the best seats for one year as from date requested
› Fixed price of 8 € for concerts or 10 € for opera and ballet (depending on availability at the evening box office)
› valid all participating ensembles' own events and venues: RundfunkSinfonieorchester Berlin, Rundfunkchor Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Konzerthaus Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Staatsoper im Schiller Theater, Staatsballett Berlin › Monthly bonus and visits to rehearsals, raffle to win a role as an extra etc. › All advantages for only 15 €, further information: www.classiccard.de
› for young people aged 14 to 21 › Experience Berlin's top musicians: Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, Konzerthausorchester Berlin, Berliner Philharmoniker, Junge Deutsche Philharmonie, Bundesjugendorchester › Six concerts per season for a package price of only 36 € › Additional bonus as well as special concert introductions, talks with musicians etc., further information: www.berlinerjugendabo.de
It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Route directions & parking location
The Konzerthaus can be accessed easily by the following means of public transport:
Bus M48 to U Stadtmitte/Leipziger Straße + 5 minutes walk, 100 to Unter den Linden/Friedrichstraße + 5 minutes walk, 147 to Französische Straße, 200 to Unter den Linden/Friedrichstraße + 5 minutes walk
Underground U2 to Hausvogteiplatz + 3 minutes walk or Stadtmitte + 5 minutes walk, U6 to Französische Straße + 4 minutes walk or Stadtmitte + 5 minutes walk, U55 to Brandenburger Tor + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26, S3, S5, S7, S9 to Friedrichstraße + 15 minutes walk, S1, S2, S25, S26 to Brandenburger Tor + 10 minutes walk
For those arriving by car, the following underground car park is available : Taubenstraße/Jägerstraße run by Contipark Parkgaragengesellschaft mbH (address of entrance: Taubenstraße 14, 10117 Berlin, The-Q). The cost of parking here is 2.00 Euros per hour. Exclusively for concert audiences: the Konzerthaus rate is 5.50 Euros for a full six hours parking. Simply get your parking ticket marked at the service desk in the foyer of the Konzerthaus.