Emerging and Fading
An organism grows from viola solo to the whole orchestra - a key work of "musique spectrale"
Gérard Grisey “Les espaces acoustiques”
Vladimir Jurowski - Conductor
Jean-Claude Velin - Viola
Ensemble United - Orchestra
Anisha Bondy - Szenische Einrichtung
Vladimir Jurowski - Conductor
Vladimir Jurowski has been chief conductor and artistic director of the Rundfunk-Sinfonieorchester Berlin since autumn 2017. The conductor, pianist and musicologist Vladimir Jurowski takes on all challenges whether they be stylistic, technical or music-historical.
After receiving training at the Moscow Conservatory Vladimir Jurowski emigrated to Germany in 1990. Here he continued his studies at the music conservatories in Dresden and Berlin – conducting with Rolf Reuter; correpetition and song accompaniment with Semion Skigin. In 1995 he made his international debut at the British Wexford Festival with Rimski-Korsakov’s “Mainacht” and in the same year at the Royal Opera House Covent Garden with “Nabucco”. Subsequently he was, among other things, First Kapellmeister of the Komische Oper Berlin (1997- 2001) and Music Director of the Glyndebourne Festival Opera (2001-2013). In 2003 Vladimir Jurowski was appointed Principal Guest Conductor of the London Philharmonic Orchestra and has been its Principal Conductor since 2007 and will stay on until summer 2021. He is also Artistic Director of the State Academic Symphony Orchestra Yevgeny Svetlanov of the Russian Federation until summer 2021, Artistic Director of the International George Enescu Festival in Bucharest and Principal Artist of the Orchestra of the Age of Enlightenment in Great Britain. He works regularly with the Chamber Orchestra of Europe and the ensemble unitedberlin. With the start of the 2021/2022 season, Vladimir Jurowski will take on one of the most prestigious roles in German musical life in addition to his engagement with the Rundfunk-Sinfonieorchester Berlin, by becoming General Music Director of the Bavarian State Opera in Munich, a position for which he signed a contract in 2018.
Vladimir Jurowski is in high demand around the world as a guest conductor. He has conducted the major orchestras of Europe and North America, including the Berlin, Vienna and New York Philharmonic Orchestras, the Royal Concertgebouw Orchestra Amsterdam, the Cleveland and Philadelphia Orchestras, the Boston and Chicago Symphony Orchestras, the Tonhalle Orchestra Zurich, the Staatskapelle Dresden and the Leipzig Gewandhaus Orchestra. As a guest conductor, Vladimir Jurowski conducted Prokofiev’s “Semyon Kotko” with the Radio Filharmonisch Orkest of the Netherlands in the Concertgebouw Amsterdam, made his debut at the Salzburg Easter Festival with the Staatskapelle Dresden, debuted with the Czech Philharmonic Orchestra, performed with the Gustav Mahler Youth Orchestra and the Mahler Chamber Orchestra at the Lucerne Festival and conducted a unique project with the London Sinfonietta in Moscow to mark the UK-Russian Year of Culture. Together with the Rundfunk-Sinfonieorchester Berlin he performed in Japan in spring 2019 and at the George Enescu Festival in Bucharest in autumn 2019.
The first joint CD by Vladimir Jurowski and the Rundfunk-Sinfonieorchester Berlin from 2015 immediately marked a milestone. Alfred Schnittke’s Symphony No. 3 was followed in 2017 by a Strauss/Mahler recording and a CD of violin concertos by Britten and Hindemith with soloist Arabella Steinbacher. In 2020, a critically acclaimed recording of Gustav Mahler’s “Das Lied von der Erde” was released.
Vladimir Jurowski has been the recipient of numerous awards for his achievements, including various international record prizes. In 2018, the Royal Philharmonic Society Music Awards named him Conductor of the Year. In 2016, he was bestowed an honorary doctorate from Prince Charles at the Royal College of Music in London. In 2020, Jurowski will be awarded the Order of Cultural Merit by the Romanian President in recognition of his work as Artistic Director of the George Enescu Festival.
Ensemble United - Orchestra
The ensemble unitedberlin was founded in 1989 with the symbolic purpose of reconnecting classical musicians in a city long divided by the Cold War. Since its inception the ensemble has been transcending barriers both musically and geographically. Performances at festivals in Albania, Brazil, Hungary, Israel, Poland, Russia, China, South Korea, Spain and Switzerland accompany the ensembles activities in Berlin. Recent performances international engagements include concerts at the ‘Milano Musica’ and „Slowind’ in Ljubljana.
Unitedberlin’s focus lies in presenting a wide range of contemporary music in the context of modernist repertoire ranging from Schönberg and Webern to Nono and Cage. Several concert programs were created in close collaboration with composers of our time such as Mauricio Kagel, György Kurtág, Helmut Lachenmann, Wolfgang Rihm, Mark Anthony Turnage, Christian Wolff, Toshio Hosokawa and Vinko Globokar, yielding a variety of formats such as lecture concerts, instrumental workshops or documentary projects.
A characteristic feature of unitedberlin is its openness to interdisciplinary approaches. A series of five concerts took to exploring sonic intersections with the visual arts. The ongoing «Transfigurations» series looks at unusual connections between video art and musical composition. Music theatre projects have included performances of Schönberg’s «Die Glückliche Hand», Karl Amadeus Hartmann’s satire «Simplicius Simplicissimus», Christian Josts «Death Knocks» based on a film by Woody Allen, or Vinko Globokar’s musical theater piece «The Emigrants».
Current projects include a four part series in Berlin’s eminent Konzerthaus commemorating the 20 anniversary of the fall of the Berlin Wall with works by composers from East and West Germany as well as a program with new works written for an ensemble of Asian and Western instruments and a portrait concert of works by Vinko Globokar on the occasion of his 75th birthday.
Unitedberlin has released several CD on the Wergo, Col legno and Ars musici labels that have received international acclaim. Paul Griffiths wrote of the ensemble’s disc with works by Luigi Nono (WERGO 6631-2): “There have been a lot of Nono releases since the composer’s death in 1990. This is one of the best.” (New York Times, Dec. 29, 1998)
Anisha Bondy - Szenische Einrichtung
Anisha Bondy, born in 1981 in London, lives with her husband and three children in Berlin. She studied musical theatre direction at the University of Music and Performing Arts Vienna, where she graduated in 2005 with a production of “Die Kluge” by Carl Orff. Her path led her via the opera houses in Basel and Cologne to the Komische Oper Berlin. Since 2007 she has assisted many directors including Katharina Thalbach, Michael Thalheimer, Claus Guth, Andreas Homoki, Hans Neuenfels, Peter Konwitschny, Sebastian Baumgarten, Benedict Andrews and Barrie Kosky.
From 2009 – 2011 she held a scholarship in the directing category at the Deutsche Bank Foundation’s Akademie Musiktheater Heute. Since then, as an alumna, she has been conducting workshops at the Komische Oper Berlin for young people from immigrant backgrounds to introduce them to the world of opera.
In 2010 she directed the world premiere of “The Snow Queen” by Pierangelo Valtinoni at the Komische Oper Berlin. In the summers of 2011 – 2014 she was assistant director on Sebastian Baumgarten’s production of “Tannhäuser” at the Bayreuth Festival.
Since 2015, she has intensified her work in the outreach field as scenic director of “Selam Opera!”, the intercultural project of the Komische Oper Berlin. Together with her team, she developed formats such as the ‘Pop-Up Opera’ or the opera bus ‘Operndolmus’. In 2016, the team retraced the migrant worker route from Berlin to Istanbul with a 45-minute musical theatre review that was performed at various places along the journey. “Selam Opera!” was awarded the BKM Prize for Cultural Education.
Anisha Bondy worked together with conductor Vladimir Jurowski on the projects “Claude Vivier – 70/35 – a sacred act” (2018) and “Les espaces acoustiques” (2019) by Gérard Grisey at the Konzerthaus Berlin.
Sun 19 May 2019 - 8 pm Konzerthaus Berlin
- from € 20
- Pre-concert talk with Steffen Georgi: 6.45 pm, Ludwig-van-Beethoven-Saal
A lift, accessible via the stage entrance (Charlottenstraße), is available for the use of the physically disabled. Disabled toilets can be found close to the stage entrance and at Café Konzerthaus. Identified parking for the disabled is available in Charlottenstraße (close to the stage entrance) and Markgrafenstraße (near Taubenstraße).
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service is happy to assist with any further questions. On site, you can contact the staff of the events service ARTIS, who will be happy to help you in any way.
For concerts with an introduction by our dramaturge, admission begins 75 minutes before the concert.
The building opens one hour before the start of concerts without such introductions.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the entrance foyer. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the stage porter (rear entrance) and can be collected there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
The gastronomic offers at the Konzerthaus, including refreshing drinks and delicious snacks, can be found in the Ludwig-van-Beethoven-Saal or Carl-Maria-von-Weber-Saal, as well as in the snack foyer. It is possible to reserve a table in advance and pre-order drinks and a snack for the interval, personally or by telephone: tel. 030 848 55 666.
No food or drinks may be taken into the concert hall.
Steffen Georgi, dramaturge of the RSB, offers free introductory talks to most symphonic concerts in the auxiliary rooms of the Konzerthaus or the Philharmonie. These take place 50 minutes (in the Philharmonie) or 60 minutes (in the Konzerthaus) before the start of the concert. The introductory talks will take place in German language. All relevant details may be found in our annotated concert calendar; see entries on respective concert dates.
Should you arrive too late for a concert, it will depend on the works being played when and whether there will be late admissions. Please speak to the staff of the respective venue. It may not be possible for you to take up your actual seat until the concert interval, as the music cannot be disturbed. No refund on ticket prices is possible.
Our programmes are sold by the admission stewards before each concert and in the interval, costing 3 € each.
RSB subscribers receive a free copy of the relevant programme on presentation of a voucher.
Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
› for all those under 30
› Sit in the best seats for one year as from date requested
› Fixed price of 8 € for concerts or 10 € for opera and ballet (depending on availability at the evening box office)
› valid all participating ensembles' own events and venues: RundfunkSinfonieorchester Berlin, Rundfunkchor Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Konzerthaus Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Staatsoper im Schiller Theater, Staatsballett Berlin › Monthly bonus and visits to rehearsals, raffle to win a role as an extra etc. › All advantages for only 15 €, further information: www.classiccard.de
› for young people aged 14 to 21 › Experience Berlin's top musicians: Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, Konzerthausorchester Berlin, Berliner Philharmoniker, Junge Deutsche Philharmonie, Bundesjugendorchester › Six concerts per season for a package price of only 36 € › Additional bonus as well as special concert introductions, talks with musicians etc., further information: www.berlinerjugendabo.de
It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Route directions & parking location
The Konzerthaus can be accessed easily by the following means of public transport:
Bus M48 to U Stadtmitte/Leipziger Straße + 5 minutes walk, 100 to Unter den Linden/Friedrichstraße + 5 minutes walk, 147 to Französische Straße, 200 to Unter den Linden/Friedrichstraße + 5 minutes walk
Underground U2 to Hausvogteiplatz + 3 minutes walk or Stadtmitte + 5 minutes walk, U6 to Französische Straße + 4 minutes walk or Stadtmitte + 5 minutes walk, U55 to Brandenburger Tor + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26, S3, S5, S7, S9 to Friedrichstraße + 15 minutes walk, S1, S2, S25, S26 to Brandenburger Tor + 10 minutes walk
For those arriving by car, the following underground car park is available : Taubenstraße/Jägerstraße run by Contipark Parkgaragengesellschaft mbH (address of entrance: Taubenstraße 14, 10117 Berlin, The-Q). The cost of parking here is 2.00 Euros per hour. Exclusively for concert audiences: the Konzerthaus rate is 5.50 Euros for a full six hours parking. Simply get your parking ticket marked at the service desk in the foyer of the Konzerthaus.