Chamber concert at Ballhaus Wedding

Kosuke Yoshikawa was born in Tokyo in 1984 into a musical family and received his first violin lessons at the age of three. He later continued his education at the Toho Gakuen School of Music in Tokyo with Toshiya Eto. From 2003 to 2010 he studied at the University of Music and Performing Arts Vienna with Josef Hell and passed with distinction. Later, he studied at the Hochschule für Musik und Theater in Munich with Ana Chumachenco and also graduated with honors in 2013 with a master’s degree. His further extensive training was provided by private lessons with Rainer Honeck, concertmaster of the Vienna Philharmonic. He was a member of the Orchestra Academy of the Bavarian State Opera from 2010 to 2011, and in 2011 he obtained a permanent position in the first violins in the Munich Chamber Orchestra. Since 2017, he has been first violinist in the Rundfunk-Sinfonieorchester Berlin. He plays as a substitute with orchestras such as the Munich Philharmonic, the Bavarian State Opera, the Gürzenich Orchestra Cologne and the Deutsche Kammerphilharmonie Bremen. His solo successes include prizes at the Stefanie Hohl Competition in Vienna and the International Violin Competition in Sion-Vallais. As a soloist, Kosuke Yoshikawa has performed with members of the Bavarian Radio Symphony Orchestra, Bavarian Philharmonic Orchestra, Baden-Baden Philharmonic Orchestra and Prague Philharmonic Orchestra, among others. He has a great passion for chamber music and plays with several ensembles as well as with various violin duos, a piano trio and string quartets.

Ringela Riemke, who has been the deputy principal cellist of the Berlin Radio Symphony Orchestra since 1990, studied at the Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ in Leipzig under Wolfgang Weber. She was a member of the KNM Berlin (Kammerensemble Neue Musik Berlin) from 1991 to 2017, performing numerous concerts both nationally and internationally (including at the Cité de la Musique, Vienna Konzerthaus, Berlin Philharmonie, Gewandhaus, Carnegie Hall, and the Papal Palace in Avignon). Her last concert tour took her to Asia, to the Taipei Concert Hall.

Two of the CDs with chamber music works by Beat Furrer, which she recorded with KNM Berlin, were awarded the German Record Critics’ Award.

Ringela Riemke is a mentor at the Orchestra Academy of the Berlin Radio Symphony Orchestra.

Alice Lackner’s voice has been described by the press as “beguilingly secure, with astral heights and penetrating power” (Oper!) and as “utterly enchanting” (Tagesspiegel). She regularly appears with orchestras such as the Rundfunk-Sinfonieorchester Berlin, Konzerthausorchester Berlin, Gewandhausorchester Leipzig, Essener Philharmoniker, Russian State Orchestra Kaliningrad, Brandenburgisches Staatsorchester, lautten compagney Berlin, Ensemble 1700 and Concerto Theresia, under the direction of renowned conductors such as Vladimir Jurowski, Wolfgang Katschner, Dorothee Oberlinger, Tomáš Netopil, Andrea Marchiol and Andreas Reize.
Highlights of recent seasons have included the soprano solo in Gustav Mahler’s Symphony No. 4 at the Konzerthaus Berlin, “Martha” in the world premiere of Gordon Kampe’s “Dogville” at the Aalto Theater Essen, “Ruggiero” in Handel’s “Alcina” in a production by lautten compagney Berlin, and “Negiorea” in Andrea Bernasconi’s “L’Huomo” at the Margravial Opera House Bayreuth and at the Potsdam Sanssouci Music Festival. Other engagements have taken her to the Berlin Philharmony, the Berlin Music Festival, the George Enescu Festival in Bucharest, the Innsbruck Festival of Early Music, the Days of Early Music in Herne and the Mosel Music Festival.
Alice Lackner’s core concert repertoire includes the alto roles in cantatas and oratorios by J.S. Bach, Handel, Mozart and Mendelssohn. However, the mezzo-soprano’s repertoire also includes less frequently performed works such as the masses for the dead by Duruflé or Suppè, the “Membra Jesu Nostri” (Buxtehude) and “Der Sieg des Glaubens” (Ries). Recently, she has also appeared in concert as a soprano, for example in Mahler’s Symphony No. 4, in Mozart’s “Great Mass in C minor”, in Rossini’s “Petite Messe Solenelle” and in Stravinsky’s “Les Noces”.
A major focus of her work is lieder singing. In 2021, Alice Lackner released her debut CD “Ernsthaft?!” with the GENUIN label, together with her lied accompanist Imke Lichtwark. In addition to songs by Schönberg and Zemlinsky, this CD also includes first recordings of songs by the composer Sven Daigger. In October 2023, Alice Lackner recorded a first edition of all songs by George Antheil for Deutschlandfunk together with pianist Philip Mayers. Further recordings for cpo, BR-Klassik and ARTE Concert testify to her artistic work.
Alice Lackner was born in Munich, studied singing with Prof. Kunz-Eisenlohr at the HfMT Cologne/Aachen and is currently receiving further training from Sami Kustaloglu in Berlin. She holds a scholarship from the German National Academic Foundation and has won prizes from “cantatebach!”, the Rheinsberg Castle Chamber Opera, and the “Podium junger Gesangssolisten”. With a degree in sociology, she works as a researcher at ZOiS Berlin. From 2025 onwards, she will take over the artistic direction of the “Güldener Herbst” festival in Thuringia.