Closing concert of the Chorin Music Summer
Vladimir Jurowski & Konstanze von Gutzeit
Wolfgang Amadeus Mozart
“Don Giovanni” – Overture to the opera KV 527
Joseph Haydn
Konzert für Violoncello und Orchester C-Dur Hob VIIb:1
Franz Schubert
Symphony in C major. D. 944 (“The Great”)
Vladimir Jurowski
Conductor
Vladimir Jurowski - Conductor

Vladimir Jurowski has been Chief Conductor and Artistic Director of the RundfunkSinfonieorchester Berlin (RSB) since 2017. In 2023/2024, his concerts, tours and recordings were the highlights of the ‘RSB100’ anniversary season. His current contract in Berlin runs until 2027,
while he has also been General Music Director of the Bavarian State Opera in Munich since 2021.
Vladimir Jurowski, one of the most sought-after conductors of our time, who is celebrated worldwide for his innovative musical interpretations and equally for his courageous artistic commitment, was born in Moscow in 1972 and completed the first part of his music studies at the Music College of the Moscow Conservatory. He moved to Germany with his family in 1990 and continued his studies at the music academies in Dresden and Berlin. In 1995, he made his debut at the Wexford Festival in Ireland with Rimsky-Korsakov’s ‘Mainacht’ and in 1996 at the Royal Opera House Covent Garden with ‘Nabucco’. He was then First Kapellmeister of the Komische Oper Berlin (1997-2001).
Vladimir Jurowski worked as Chief Conductor of the London Philharmonic Orchestra (LPO) for fifteen years until 2021 and has since been appointed Conductor Emeritus. In the UK, he was Music Director of Glyndebourne Festival Opera from 2001 to 2013, leading a wide range of highly acclaimed productions. His close connection to British musical life was recognised by King Charles III in spring 2024 when he appointed Vladimir Jurowski an Honorary Knight Commander of the Most Excellent Order of the British Empire (KBE). In April 2024, Vladimir Jurowski returned to London as a guest conductor to complete the concert performance cycle of Wagner’s ‘Ring’ with ‘Götterdämmerung’ with the LPO at the Royal Festival Hall.
He was Artistic Director of the State Academic Symphony Orchestra ‘Yevgeny Svetlanov’ of the Russian Federation until 2021 and Principal Artist of the Orchestra of the Age of Enlightenment in Great Britain, as well as Artistic Director of the International George Enescu Festival in Bucharest. He has also worked with the unitedberlin ensemble for many years. Vladimir Jurowski has suspended performances in Russia since February 2022. Ukrainian works are and will remain part of his repertoire, as will works by Russian composers.
Vladimir Jurowski has conducted concerts by the most important orchestras in Europe and North America, including the Berlin, Vienna and New York Philharmonics, the Royal Concertgebouw Orchestra Amsterdam, the Cleveland and Philadelphia Orchestras, the Boston and Chicago symphony orchestras, the Tonhalle Orchestra Zurich, the Staatskapelle Dresden and the Gewandhaus Orchestra Leipzig. He is a regular guest at the music festivals in London, Berlin, Dresden, Lucerne, SchleswigHolstein and Grafenegg. Although Vladimir Jurowski is invited as a guest conductor by top orchestras from all over the world, he now concentrates his activities on those geographical areas that he can easily reach with reasonable effort from an ecological point of view.
The joint CD recordings by Vladimir Jurowski and the RSB began in 2015 with Alfred Schnittke’s Symphony No. 3, followed by works by Britten, Hindemith, Strauss, Mahler and again Schnittke. Vladimir Jurowski has been honoured many times for his achievements, including numerous international record awards. In 2016, he received an honorary doctorate from the Royal Philharmonic Society from the hands of the current King Charles III. In 2020, Vladimir Jurowski’s work as Artistic Director of the George Enescu Festival was honoured by the Romanian President with the Order of Cultural Merit.
Konstanze von Gutzeit
Violoncello
Konstanze von Gutzeit - Violoncello

Born into a family of musicians, Konstanze von Gutzeit began playing the cello at the age of three. She completed her studies from the age of thirteen with Heinrich Schiff in Vienna, and later with Jens Peter Maintz in Berlin and Wolfgang Emanuel Schmidt in Weimar.
Since 2012 Konstanze von Gutzeit has held the position of principal cellist of the Rundfunk-Sinfonieorchester Berlin. She is also internationally active as a soloist and chamber musician. She has performed with the Rundfunk-Sinfonieorchester Berlin, the Bochumer Sinfoniker, the Vienna, Munich and Stuttgart Chamber Orchestras, the Kammerakademie Potsdam, the Bruckner Orchestra Linz and many others. She has worked with conductors such as Kurt Masur, Vladimir Jurowski, Michael Sanderling, Marek Janowski, Alexander Shelley and Yuri Bashmet. She has appeared at festivals such as the Schleswig-Holstein Musik Festival, the Lucerne Festival, the Verbier Festival and the Festspiele Mecklenburg-Vorpommern in numerous recitals and chamber music concerts.
From the beginning of her musical career, Konstanze von Gutzeit drew attention to herself through numerous international competition successes. She is a prizewinner of the Grand Prix Emanuel Feuermann 2010 and the International Prague Spring Competition 2012. In 2013 she was awarded 1st prize at the “Felix Mendelssohn Bartholdy” University Competition in Berlin as well as the interdisciplinary “Mendelssohn Prize”. She was also the winner of the Domenico Gabrielli Competition in Berlin, the “Gradus ad Parnassum” Competition in Austria, the “International Gianni Bergamo Classic Music Award” in Switzerland and the “International Suggia Prize” in Portugal. At the German Music Competition 2010 she was awarded a scholarship by the German Music Council and included in the national selection “Concerts of Young Artists”.
Konstanze von Gutzeit plays a cello by Gioffredo Cappa from 1677 as well as a new instrument by the Berlin instrument maker Ragnar Hayn from 2017.
Rundfunk-Sinfonieorchester Berlin
Wrapping up the Choriner Musiksommer, RSB’s concert programme exclusively strives to explore the realm of the heroes and disciples of that musical era called the First Viennese School. With a powerful and threatening motif, the overture to Mozart’s Don Giovanni starts the dramatic events to come. Until 1967, Haydn’s Cello Concerto in C major was considered lost. Only when a copy of the parts was found in Prague, the score could be reconstructed. Schubert’s “Great” symphony, by contrast, was never forgotten. Dedicated to the Viennese Society of Friends of Music in 1826, it was rehearsed a year later but not performed during Schubert’s remaining lifetime. The reason: it was considered to difficult and too long at the time.