Couch concert „Belonging and exclusion”

Vladimir Jurowski has been Chief Conductor and Artistic Director of the Rundfunk-Sinfonieorchester Berlin since 2017. He has meanwhile extended his contract until 2027. In parallel, he has been General Music Director of the Bavarian State Opera in Munich since 2021.

After receiving training at the Moscow Conservatory The conductor, pianist and musicologist Vladimir Jurowski emigrated to Germany in 1990. Here he continued his studies at the music conservatories in Dresden and Berlin.  In 1995 he made his international debut at the British Wexford Festival with Rimski-Korsakov’s Mainacht and in the same year at the Royal Opera House Covent Garden with Nabucco. Subsequently he was, among other things, First Kapellmeister of the Komische Oper Berlin (1997- 2001) and Music Director of the Glyndebourne Festival Opera (2001-2013). In 2003 Vladimir Jurowski was appointed Principal Guest Conductor of the London Philharmonic Orchestra and has been its Principal Conductor since 2007 until 2021. He was also Artistic Director of the State Academic Symphony Orchestra Yevgeny Svetlanov of the Russian Federation until 2021, Artistic Director of the International George Enescu Festival in Bucharest and Principal Artist of the Orchestra of the Age of Enlightenment in Great Britain. He works regularly with the Chamber Orchestra of Europe and the ensemble unitedberlin.

Vladimir Jurowski has conducted the major orchestras of Europe and North America, including the Berlin, Vienna and New York Philharmonic Orchestras, the Royal Concertgebouw Orchestra Amsterdam, the Cleveland and Philadelphia Orchestras, the Boston and Chicago Symphony Orchestras, the Tonhalle Orchestra Zurich, the Staatskapelle Dresden and the Leipzig Gewandhaus Orchestra.

He is a recurring guest conductor in in London, Berlin, Dresden, Luzern, Schleswig-Holstein und Grafenegg as well as at the Rostopowitsch-Festival. Although Vladimir Jurowski is invited as a guest conductor by top orchestras from all over the world, in future he would like to concentrate his activities on that geographical area which is acceptable to him from an ecological point of view.

Alice Lackner’s voice has been described by the press as “beguilingly secure, with astral heights and penetrating power” (Oper!) and as “utterly enchanting” (Tagesspiegel). She regularly appears with orchestras such as the Rundfunk-Sinfonieorchester Berlin, Konzerthausorchester Berlin, Gewandhausorchester Leipzig, Essener Philharmoniker, Russian State Orchestra Kaliningrad, Brandenburgisches Staatsorchester, lautten compagney Berlin, Ensemble 1700 and Concerto Theresia, under the direction of renowned conductors such as Vladimir Jurowski, Wolfgang Katschner, Dorothee Oberlinger, Tomáš Netopil, Andrea Marchiol and Andreas Reize.
Highlights of recent seasons have included the soprano solo in Gustav Mahler’s Symphony No. 4 at the Konzerthaus Berlin, “Martha” in the world premiere of Gordon Kampe’s “Dogville” at the Aalto Theater Essen, “Ruggiero” in Handel’s “Alcina” in a production by lautten compagney Berlin, and “Negiorea” in Andrea Bernasconi’s “L’Huomo” at the Margravial Opera House Bayreuth and at the Potsdam Sanssouci Music Festival. Other engagements have taken her to the Berlin Philharmony, the Berlin Music Festival, the George Enescu Festival in Bucharest, the Innsbruck Festival of Early Music, the Days of Early Music in Herne and the Mosel Music Festival.
Alice Lackner’s core concert repertoire includes the alto roles in cantatas and oratorios by J.S. Bach, Handel, Mozart and Mendelssohn. However, the mezzo-soprano’s repertoire also includes less frequently performed works such as the masses for the dead by Duruflé or Suppè, the “Membra Jesu Nostri” (Buxtehude) and “Der Sieg des Glaubens” (Ries). Recently, she has also appeared in concert as a soprano, for example in Mahler’s Symphony No. 4, in Mozart’s “Great Mass in C minor”, in Rossini’s “Petite Messe Solenelle” and in Stravinsky’s “Les Noces”.
A major focus of her work is lieder singing. In 2021, Alice Lackner released her debut CD “Ernsthaft?!” with the GENUIN label, together with her lied accompanist Imke Lichtwark. In addition to songs by Schönberg and Zemlinsky, this CD also includes first recordings of songs by the composer Sven Daigger. In October 2023, Alice Lackner recorded a first edition of all songs by George Antheil for Deutschlandfunk together with pianist Philip Mayers. Further recordings for cpo, BR-Klassik and ARTE Concert testify to her artistic work.
Alice Lackner was born in Munich, studied singing with Prof. Kunz-Eisenlohr at the HfMT Cologne/Aachen and is currently receiving further training from Sami Kustaloglu in Berlin. She holds a scholarship from the German National Academic Foundation and has won prizes from “cantatebach!”, the Rheinsberg Castle Chamber Opera, and the “Podium junger Gesangssolisten”. With a degree in sociology, she works as a researcher at ZOiS Berlin. From 2025 onwards, she will take over the artistic direction of the “Güldener Herbst” festival in Thuringia.