Unfinished and Romantic
The art of musical romanticism: The Prelude to Act 1 of Wagner's Lohengrin, Schubert's "Unfinished” and Bruckner's “Romantic”
Richard Wagner “Lohengrin” WWV 75 – Vorspiel zum 1. Akt
Franz Schubert Sinfonie h-Moll D 759 (“Unvollendete”)
Anton Bruckner Sinfonie Nr. 4 Es-Dur WAB 104 (“Romantische”)
Sylvain Cambreling - Conductor
Sylvain Cambreling - Conductor
French-born conductor Sylvain Cambreling is a musician with big ideas. A thought-provoking, colourful and dramatic artist, he has a flair for grabbing the attention of audiences, yet his originality is rooted in thorough knowledge of musicology. As the Chief Conductor of the SWR Sinfonieorchester Baden-Baden und Freiburg, and Principal Guest Conductor of Klangforum Wien, he has offered ample proof of his gifts for imaginative programme-planning and persuasive championship of contemporary music.
At the start of the 2018/2019 season he became the new Chief Conductor of the Hamburg Symphony Orchestra. He is Principal Conductor of the Yomiuri Nippon Symphony Orchestra in Tokyo, a position he has held since 2010.
Sylvain Cambreling held the position of General Music Director of the Staatsoper Stuttgart from 2012 – 2018. He was Music Director at La Monnaie for ten years before becoming Music Director at Frankfurt Opera in 1993. Productions notable for the introduction of new and often revolutionary ideas include Pelléas et Mélisande and Les Troyens for the Salzburg Festival; Wozzeck, Fidelio and a Ring cycle in Frankfurt. He has conducted extensively at Opéra National de Paris where his work has included Saint François d’Assise, Pelléas et Mélisande, Katya Kabanova, La Clemenza di Tito, The Love for Three Oranges, Don Giovanni, Le nozze di Figaro, Simon Boccanegra, Les Troyens, Louise, La Traviata, Ariane et Barbe-Bleue and Wozzeck.
He balances his opera engagements with his positions at the Hamburg Symphony Orchestra, Yomiuri Nippon Symphony Orchestra, Klangforum Wien and guest appearances in concert with the world’s leading ensembles. He has performed with orchestras including the Vienna and Berlin Philharmonics, the Tonhalle Orchestra, the radio orchestras of Frankfurt, Hamburg, Berln, Hannover, Köln, Copenhagen, Stockholm and London, as well as the Philharmonia, BBC Symphony, Deutsches Symphonie-Orchester Berlin, Münchner Philharmoniker, Vienna Symphony, Orchestre de Paris and Oslo Philharmonic orchestras. In North America he has conducted the Cleveland Symphony Orchestra, Los Angeles Philharmonic, San Francisco Symphony and Orchestre symphonique de Montréal.
A great believer in imaginative programming Cambreling is famed for the originality of his concert-planning. A speciality is the juxtaposition of contrasting but related works or composers, for example Haydn and Messiaen, or Berlioz’s La Damnation de Faust with Schumann’s Scenes from Goethe’s Faust. Among the boldest of his projects was the performance on consecutive evenings of Messiaen’s three largest works – Turangalîla, Éclairs sur l’au-delà and La transfiguration de notre seigneur Jésus–Christ.
In 2009 Sylvain Cambreling received the Echo Klassik “Conductor of the Year Award” and the Deutsche Schallplatten Jahrespreise 2009 for best orchestral CD, and in 2010 the MIDEM Contemporary Music Award for his recording of Messiaen with the SWR Freiburg and Baden-Baden Symphony Orchestra. In 2012 he was awarded the Federal Cross of Merit of the Federal Republic of Germany.
Sun 13 December 2020 - 4 pm Philharmonie Berlin
- from € 20
It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
› for all those under 30
› Sit in the best seats for one year as from date requested
› Fixed price of 8 € for concerts or 10 € for opera and ballet (depending on availability at the evening box office)
› valid all participating ensembles' own events and venues: RundfunkSinfonieorchester Berlin, Rundfunkchor Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Konzerthaus Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Staatsoper im Schiller Theater, Staatsballett Berlin › Monthly bonus and visits to rehearsals, raffle to win a role as an extra etc. › All advantages for only 15 €, further information: www.classiccard.de
› for young people aged 14 to 21 › Experience Berlin's top musicians: Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, Konzerthausorchester Berlin, Berliner Philharmoniker, Junge Deutsche Philharmonie, Bundesjugendorchester › Six concerts per season for a package price of only 36 € › Additional bonus as well as special concert introductions, talks with musicians etc., further information: www.berlinerjugendabo.de
Route directions & parking location
It is easy to access the Philharmonie by public transport:
Buses M84, M85, N2 to Kulturforum or Varian-Fry-Str. or Potsdamer Platz + 4 minutes walk, 200 to Philharmonie
Underground U2 to Potsdamer Platz + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26 and regional trains to Potsdamer Platz + 10 minutes walk
Current information: due to building works around the Philharmonie, traffic is being diverted in the area of Herbert-von-Karajan-Straße and Tiergartenstraße. For further information, please consult the website of the Philharmonie.
There are a limited number of charged parking spaces on the site of the Philharmonie:
per hour or part-hour 2.50 Euros
day maximum 20.00 Euros
lost ticket 20.00 Euros
evening rate 7 pm to 5 am 7.00 Euros
Sunday flat rate 6.00 Euros
Please also use parking possibilities in the Sony Center (entrances Ben-Gurion- and Bellevuestraße) as well as Potsdamer Platz Arkaden (entrance to underground parking on Reichpietschufer) and in the car park on Schöneberger Ufer. All these are public parking areas belonging to the City of Berlin, on behalf of which they are administrated by APCOA Autoparking GmbH.
The public parking areas on Herbert-von-Karajan-Straße (on the western side of the Philharmonie) provide a limited number of identified parking spaces for the disabled. Unfortunately, it is generally not possible to reserve parking spaces.
The building opens one hour before the start of concerts.
As the Berlin Philharmonic Hall is a listed building, unfortunately it is not fully accessible in all areas. Further information regarding entrances for the disabled, places in the disabled box, and offers of help for the sight and hearing impaired are available on the website of the Philharmonie.
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service (link) is happy to assist with any further questions. On site, you can contact the staff of the events service EVENTTEAM, who will be happy to help you in any way.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the foyer or on the first floor opposite Block A right. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the porter at the stage door (in the direction of Potsdamer Platz) and can be collected from there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
Snacks and drinks are sold in the foyer of the Philharmonie before concerts and in the concert intervals. These can be ordered in advance for the opening of doors and the interval, please ring tel. 030 265 15 24 or via email to firstname.lastname@example.org.
No food or drink may be taken into the concert hall.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
Steffen Georgi, dramaturge of the RSB, offers free introductory talks to most symphonic concerts in the auxiliary rooms of the Konzerthaus or the Philharmonie. These take place 50 minutes (in the Philharmonie) or 60 minutes (in the Konzerthaus) before the start of the concert. The introductory talks will take place in German language. All relevant details may be found in our annotated concert calendar; see entries on respective concert dates.
Should you arrive too late for a concert, it will depend on the works being played when and whether there will be late admissions. Please speak to the staff of the respective venue. It may not be possible for you to take up your actual seat until the concert interval, as the music cannot be disturbed. No refund on ticket prices is possible.
Our programmes are sold by the admission stewards before each concert and in the interval, costing 3 € each.
RSB subscribers receive a free copy of the relevant programme on presentation of a voucher.