The Flower of Immortality

French-born conductor Sylvain Cambreling is a musician with big ideas.  A thought-provoking, colourful and dramatic artist, he has a flair for grabbing the attention of audiences, yet his originality is rooted in thorough knowledge of musicology.  As the Chief Conductor of the SWR Sinfonieorchester Baden-Baden und Freiburg, and Principal Guest Conductor of Klangforum Wien, he has offered ample proof of his gifts for imaginative programme-planning and persuasive championship of contemporary music.

At the start of the 2018/2019 season he became the new Chief Conductor of the Hamburg Symphony Orchestra. He is Principal Conductor of the Yomiuri Nippon Symphony Orchestra in Tokyo, a position he has held since 2010.

Sylvain Cambreling held the position of General Music Director of the Staatsoper Stuttgart from 2012 – 2018. He was Music Director at La Monnaie for ten years before becoming Music Director at Frankfurt Opera in 1993.  Productions notable for the introduction of new and often revolutionary ideas include Pelléas et Mélisande and Les Troyens for the Salzburg Festival; Wozzeck, Fidelio and a Ring cycle in Frankfurt. He has conducted extensively at Opéra National de Paris where his work has included Saint François d’Assise, Pelléas et Mélisande, Katya Kabanova, La Clemenza di Tito, The Love for Three Oranges, Don Giovanni, Le nozze di Figaro, Simon Boccanegra, Les Troyens, Louise, La Traviata, Ariane et Barbe-Bleue and Wozzeck.

He balances his opera engagements with his positions at the Hamburg Symphony Orchestra, Yomiuri Nippon Symphony Orchestra, Klangforum Wien and guest appearances in concert with the world’s leading ensembles.  He has performed with orchestras including the Vienna and Berlin Philharmonics, the Tonhalle Orchestra, the radio orchestras of Frankfurt, Hamburg, Berln, Hannover, Köln, Copenhagen, Stockholm and London, as well as the Philharmonia, BBC Symphony, Deutsches Symphonie-Orchester Berlin, Münchner Philharmoniker, Vienna Symphony, Orchestre de Paris and Oslo Philharmonic orchestras.  In North America he has conducted the Cleveland Symphony Orchestra, Los Angeles Philharmonic, San Francisco Symphony and Orchestre symphonique de Montréal.

A great believer in imaginative programming Cambreling is famed for the originality of his concert-planning.  A speciality is the juxtaposition of contrasting but related works or composers, for example Haydn and Messiaen, or Berlioz’s La Damnation de Faust with Schumann’s Scenes from Goethe’s Faust.  Among the boldest of his projects was the performance on consecutive evenings of Messiaen’s three largest works – Turangalîla, Éclairs sur l’au-delà and La transfiguration de notre seigneur Jésus–Christ.

In 2009 Sylvain Cambreling received the Echo Klassik “Conductor of the Year Award” and the Deutsche Schallplatten Jahrespreise 2009 for best orchestral CD, and in 2010 the MIDEM Contemporary Music Award for his recording of Messiaen with the SWR Freiburg and Baden-Baden Symphony Orchestra. In 2012 he was awarded the Federal Cross of Merit of the Federal Republic of Germany.

Whoever witnesses Anna Vinnitskaya in concert is inevitably enthralled by the aura of this artist. Audiences and critics alike celebrate her ability to paint grand canvases, aside from sparking spectacular fireworks. Her technical splendor is not a virtuosic means in itself, but blends with a natural, always colorful sound. Anna Vinnitskaya is a major pianist of our time who tells stories with her music.

The first prize at the Concours Reine Elisabeth in Brussels in 2007 marked the beginning of Anna Vinnitskaya’s international career. She is a valued partner of the great orchestras and conductors such as Marek Janowski, Krzysztof Urbański, Kirill Petrenko, Andris Nelsons, Alan Gilbert or Mirga Gražinytė-Tyla.

The 2019/2020 season saw her debuts with the Berlin Philharmonic and Staatskapelle Dresden – with immediate reinvitations to both orchestras. As the „Artist in Residence“ at the Philharmonie Dresden, Vinnitskaya performed in a series of solo, chamber and orchestral concerts. In 2020/2021, BOZAR Brussels will dedicate her an Artist Portrait and stage five concerts with Anna in manifold constellations. Invitations to the National Symphony Orchestra of Washington, Orchestre Philharmonique de Radio France, Budapest Festival Orchestra, Gewandhausorchester Leipzig, the Radio Symphony Orchestras of Berlin, Cologne and Stuttgart and to the recital series of the Chicago Symphony Orchestra and the Berlin Philharmonic underline her excellence and outstanding reputation.

Anna Vinnitskaya’s recordings have been recognised with numerous awards, such as the Diapason d’Or, the Gramophone Editor’s Choice and the ECHO Klassik. On her latest albums she presents works by Rachmaninov with the NDR Elbphilharmonie Orchester and Krzysztof Urbański and Bach’s piano concertos with Evgeni Koroliov, Ljupka Hadzi Georgieva and the Kammerakademie Potsdam (Alpha Classics/Outhere Music).

Anna Vinnitskaya was born in the Russian city of Novorossijsk. She was a student of Sergei Ossipienko in Rostov and Evgenyi Koroliov at the Hochschule für Musik und Theater in Hamburg. Since 2009 she has been a professor there herself – that is, when she is not touring the stages of the wide musical world.

Kora Pavelić wurde in Kroatien geboren und studierte an der Stuttgarter Musikhochschule Gesang bei Dunja Vejzović und Frédérique Friess. Sie belegte Meisterkurse bei bei Tiziana Šojat, Michael Gees, Laurence Cummings, Catherine Denley und Shirley Close. Kora Pavelic ist Stipendiatin des Richard-Wagner-Verbands Zagreb und der Johann Paul Stiftung der Schweiz. 2010 debütierte sie am Kroatischen Nationaltheater Varaždin, 2011 an der Stuttgarter Oper. In Stuttgart sang sie als Mitglied des Opernstudios Tisbe in „La Crenetola“, die Zweite Dame in „Die Zauberflöte“, 1. Beamtin in der Uraufführung wunderzaichen sowie Annina in „La traviata“. Seit der Spielzeit 2014/15 ist sie Ensemblemitglied des Landestheaters Coburg. 2015/16 gastierte Kora Pavelić zuletzt an der Oper Stuttgart als Page in „Salome“ und als Das süße Mädel in „Reigen“. 2017/18 kehrt sie als Hänsel in der Neuinszenierung von „Hänsel und Gretel“ und erneut als 1. Beamtin in „wunderzaichen“ nach Stuttgart zurück.

David Fischer is a permanent member of the Bonn Opera solo ensemble since the 2017/18 season and also regularly performs at the Leipzig Opera.

Right in his first season on the Bonn Opera stage he was able to embody the leading role
of John Whitcroft at the world premiere of the opera „Geisterritter“ by James Reynolds, which will also guide him to the Deutsche Oper am Rhein in 2019.

Moreover, David Fischer was seen in Bonn as Rev. Horace Adams in Britten’s „Peter Grimes“, in which José Cura did staging, set and the leading role, Remendado in Bizet’s „Carmen“, Pang in Puccini’s „Turandot“ and some others.

His concert activity leads him through Europe, this year, for example, he sang Bach’s St. Johan Passion with the NDR choir and Radiophilharmonie in the large concert studio of the NDR Hannover under Chief Conductor Andrew Manze and gave a Lied recital with Paulina Tukiainen at the Swiss Festival classique des Haudères. Further Lied recitals with her repeatedly lead him to Geneva and to the Schumannfest Bonn.

The year of 2016 David Fischer could complete by winning the great internaional music
competition Concours de Genève. Within the 48th Easter Festival of the Berlin Philharmonics, David Fischer made is début in 2015 at the Baden-Baden Theater as Trémolini in Offenbach’s Opéra-bouffe „La Princesse de Trézibone“. The next year he travelled to Daegu (Korea) with the ensemble of the Bonn Opera as Jaquino in Beethoven’s „Fidelio“.

David Fischer completed his singing studies in Freiburg with Reginaldo Pinheiro and took
master classes with Brigitte Fassbaender. The early musical education began at the age of three with the first violin lessons – 12 years old he won the German federal competition „Jugend musiziert“ in the solo violin category.

Michael Nagl, Ausbildung am Mozart Knabenchor seiner Heimatstadt Wien. Seit 2013 Gesangsstudium an der Universität für Musik und darstellende Kunst Wien bei Karlheinz Hanser. Erste Opernerfahrungen an der Internationalen Sommerakademie der Universität Wien, im Schlosstheater Wien und am Stadttheater Baden in Rollen wie Don Alfonso (Così fan tutte), Masetto (Don Giovanni), Simone (Gianni Schicci), Gefängnisdirektor Frank (Die Fledermaus) und Leporello (Don Giovanni). Preisträger als bester Nachwuchssänger beim Internationalen Otto Edelmann Wettbewerb 2014, Auszeichnung mit der Gottlob-Frick-Medaille. Zwei Spielzeiten war Michael Nagl Mitglied des Opernstudios in Stuttgart und u.a. als Wagner (Faust), Masetto (Don Giovanni), Erster Soldat (Salome), Graf von Ceprano (Rigoletto), Narumov (Pique Dame) und Zweiter Gralsritter (Parsifal) zu erleben. 2018/19 singt Michael Nagl als Ensemblemitglied Kuno (Der Freischütz), Basilio (Il barbiere di Siviglia), Surin (Pique Dame), Buff (Schauspieldirektor), Zweiter Soldat (Salome) sowie Dritter Offizier in der Neuinszenierung von Der Prinz von Homburg und Vierter Edler in der Neuinszenierung von Lohengrin.