Nadine Weissmann

Nadine Weissmann’s current and future plans include Erda in Das Rehingold/Siegfried, Waltraute in Götterdämmerung with MüPa Budapest, Wesendoncklieder with Zug Sinfonietta, Missa solemnis with Katowice, Leocadaja Begbick in Aufstieg und Fall der Stadt Mahagonny with Komische Oper Berlin, Cupidon in Orphée aux enfers at the Salzburg Festival and Komische Oper Berlin, Schwertleite in Die Walküre, Mary in Der fliegende Holländer at the Bayreuth Festival (Kirill Petrenko, Marek Janowski), Amneris in Aida with the Chemnitz Opera, Erda in Siegfried concertante with the Bregenz Festival, Erda in Das Rheingold with the Seoul Arts Center, the Elbphilharmonie Hamburg, the Festspielhaus Baden-Baden,as well as the Konzerthaus Dortmund and Gora in Medea and Geneviève in Pelléas at Mélisande with the Komische Oper Berlin.


Important engagements in the past were Schwertleite at the Semperoper Dresden under Christian Thielemann, Third Lady in Die Zauberflöte at the Royal Opera House Covent Garden, the Opéra Bastille and on tour with the Komische Oper Berlin at the Liceu Barcelona, the Edinburgh Festival, the Opéra Comique Paris, the Teatro Real Madrid and in Tokyo, Hiroshima, Osaka, Perth, Adelaide, Auckland. Furthermore, Ulrica in Un Ballo in Maschera at the Deutsches Nationaltheater Weimar, Dalila in Samson et Dalila with the Staatskapelle Weimar, Laura in La Gioconda at the Musiktheater im Revier, Gelsenkirchen, Quickly in Falstaff at the Opéra National de Paris Bastille and the Opéra Marseille, as well as concerts with the Concertgebouw Orchestra and the NDR Symphony Orchestra. She also embodied Jezibabain Rusalka at the Komische Oper Berlin.

Other past highlights include Mahler’s Symphony No. 2 with the Düsseldorf Symphony Orchestra under Adam Fischer and the Bournemouth Symphony Orchestra under Kirill Karabits. Schwertleite at the Palau de les Arts, Valencia, Erda / Flosshilde in Das Rheingold at the Liceu Barcelona, BRIGITTA in Die tote Stadt at the Frankfurt Opera, Opéra national de Lorraine Nancy and the Teatro Real Madrid. She played Baba the Turk from The Rake’s Progress at the Opéra Théâtre de Saint-Étienne, Theater Hagen and Theater Lübeck, Mary from Der fliegende Holländer at the Teatro Real Madrid. She embodied Emilia in Otello at Opéra de Monte-Carlo, the title role of Carmen at Mecklenburgisches Staatstheater Schwerin, Theater Osnabrück and Landestheater Bregenz. As well as Quickly at the Finnish National Opera, Marthe from Faust and Filipyevna from Eugene Onegin in Bilbao, Mathis der Maler in Paris Bastille, Herodias in Salome with the Gulbenkian Orchestra and DNT Weimar, and Florence Pike in Albert Herring with Theater Lübeck.

Nadine has performed at the Konzerthaus Berlin, the Concertgebouw Amsterdam, and the Auditori Barcelona with the Berlin Philharmonic, the DSO Berlin, the NDR Elbphilharmonieorchester, and the Staatskapelle Weimar, among others. She studied at the Royal Academy of Music in London and at the Indiana University School of Music in Bloomington.