Terrestrial dread – heavenly consolation
From the eternal drama about the human pursuit of happiness
Olivier Messiaen “Hymne au Saint Sacrement” for orchestra
Camille Saint-Saëns Piano Concerto No. 5 in F Major, Op. 103
Arthur Honegger Symphony No. 3 (“Liturgique”)
Johann Sebastian Bach “Ein feste Burg ist unser Gott”, Cantata BWV 80 (arr. Leopold Stokowski)
Johann Sebastian Bach Toccata and Fugue in D minor, BWV 565 (arr. Leopold Stokowski)
Mario Venzago - Conductor
Jean-Yves Thibaudet - Piano
Mario Venzago - Conductor
Mario Venzago is the principal conductor and artistic director of the Bern Symphony Orchestra since 2010 and Artist in Association at Finland’s Tapiola Sinfonietta since 2007.
Before, he was principal conductor or general music director of the following orchestras: Indianapolis Symphony Orchestra, Gothenburg Symphony Orchestra, Basque National Orchestra in San Sebastian, Basel Symphony Orchestra, Graz Opera und Graz Philharmonic Orchestra, Deutsche Kammerphilharmonie Frankfurt (now Bremen), Theatre and Philharmonic Orchestra of the City of Heidelberg and Musikkollegium Winterthur. From 2010 to 2014 he was principal conductor of the Royal Northern Sinfonia and from 2000 to 2003 Artistic Director of the Baltimore Summer Fest, as successor to Pinchas Zukermann and David Zinman.
Mario Venzago has conducted the Berlin Philharmonic Orchestra, the Leipzig Gewandhaus Orchestra, the orchestras in Philadelphia and Boston, the London Philharmonic Orchestra, the Orchestre Philharmonique de Radio France, the Filarmonica della Scala and the NHK Symphony Orchestra. He is a regular guest conductor with internationally renowned orchestras such as the Baltimore Symphony Orchestra, the Seoul Philharmonic Orchestra, the Royal Philharmonic Orchestra, the Finnish Radio Symphony Orchestra, the Danish National Symphony Orchestra, the Gothenburg Symphony Orchestra, the Netherlands Philharmonic Orchestra, the St. Petersburg Philharmonic Orchestra, the Konzerthausorchester Berlin and the Frankfurter Museumsorchester.
Mario Venzago has given concerts with the world’s most famous soloists, and worked together with directors such as Ruth Berghaus, Peter Konwitschny and Hans Neuenfels.
Several of his CDs have won international prizes such as the Grand Prix du Disque, the Diapason d’or and the Edison Award. His recordings of the operas “Venus” and “Penthesilea” and of all choral works by Othmar Schoeck with the MDR choir and symphony orchestra received great international recognition and prestigious awards, as did his first film, “My Brother the Conductor” by Alberto Venzago, which was shown in cinemas across Europe and brought out on DVD. In the spring of 2015, the collaboration between Mario Venzago and the label CPO on the project “The Other Bruckner,” with all ten Bruckner symphonies, was completed. The individual releases, acclaimed by international critics, are available from CPO, as are the complete CD box and a documentary film (www. jpc.de).
The complete recording of the serenades and symphonies by Johannes Brahms has been released in June 2018. Further, the recording of Franz Schubert’s „Unfinished“ symphony with the Kammerorchester Basel, completed and conducted by Mario Venzago (Sony), currently causes a stir.
Jean-Yves Thibaudet - Piano
For more than three decades, Jean-Yves Thibaudet has performed world-wide, recorded more than 50 albums, and built a reputation as one of today’s finest pianists. From the start of his career, he delighted in music beyond the standard repertoire, from jazz to opera, which he transcribed himself to play on the piano. His profound professional friendships crisscross the globe and have led to spontaneous and fruitful collaborations in film, fashion, and visual art.
Thibaudet expresses his passion for education and fostering young musical talent as the first-ever Artist-in-Residence at the Colburn School in Los Angeles, where he makes his home. The school has extended the residency for an additional three years and has announced the Jean-Yves Thibaudet Scholarships to provide aid for Music Academy students, whom Thibaudet will select for the merit-based awards, regardless of their instrument choice.
In 2019/20 Thibaudet renews many longstanding musical partnerships. As the St. Louis Symphony’s Artist-in-Residence, he plays a pair of season-opening concerts conducted by long-time friend and collaborator Stéphane Denève. He tours a program of Schumann, Fauré, Debussy, and Enescu with Midori, followed by the complete Beethoven sonatas for piano and violin. Thibaudet gives the world premiere of Aaron Zigman’s Tango Manos concerto for piano and orchestra with the China Philharmonic, and goes on to perform it with the Orchestre Philharmonique de Radio France and San Francisco Symphony; Zigman composed the score for the 2016 film Wakefield, for which Thibaudet was the soloist. A noted interpreter of French music, Thibaudet performs works by Ravel, Saint-Saëns, Connesson, and Debussy around the world; as one of the premiere interpreters of Messiaen’s Turangalîla-Symphonie, Thibaudet performs the piece in his hometown as Artist-in-Residence of the Orchestre National de Lyon. He also brings along his passion for Gershwin, performing the Concerto for Piano in F Major in Lyon as well as Houston, Los Angeles, Boston, New York, Naples, Tokyo, and at the Bad Kissinger Sommer Festival, where he is Artist-in-Residence.
Thibaudet’s recording catalogue has received two Grammy nominations, the Preis der Deutschen Schallplattenkritik, the Diapason d’Or, the Choc du Monde de la Musique, the Edison Prize, and Gramophone awards. He was the soloist on the Oscar-winning and critically acclaimed film Atonement, as well as Pride and Prejudice, Extremely Loud & Incredibly Close, and Wakefield. His concert wardrobe is designed by Dame Vivienne Westwood. In 2010 the Hollywood Bowl honored Thibaudet for his musical achievements by inducting him into its Hall of Fame. Previously a Chevalier of the Ordre des Arts et des Lettres, Thibaudet was awarded the title Officier by the French Ministry of Culture in 2012.
Sun 24 November 2019 - 8 pm Philharmonie Berlin
- from € 20
- The Philharmonie opens at 7 pm.
- Introduction with Steffen Georgi: 7.10 pm, Hermann-Wolff-Saal (free, limited number of seats)
It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
› for all those under 30
› Sit in the best seats for one year as from date requested
› Fixed price of 8 € for concerts or 10 € for opera and ballet (depending on availability at the evening box office)
› valid all participating ensembles' own events and venues: RundfunkSinfonieorchester Berlin, Rundfunkchor Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Konzerthaus Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Staatsoper im Schiller Theater, Staatsballett Berlin › Monthly bonus and visits to rehearsals, raffle to win a role as an extra etc. › All advantages for only 15 €, further information: www.classiccard.de
› for young people aged 14 to 21 › Experience Berlin's top musicians: Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, Konzerthausorchester Berlin, Berliner Philharmoniker, Junge Deutsche Philharmonie, Bundesjugendorchester › Six concerts per season for a package price of only 36 € › Additional bonus as well as special concert introductions, talks with musicians etc., further information: www.berlinerjugendabo.de
Route directions & parking location
It is easy to access the Philharmonie by public transport:
Buses M84, M85, N2 to Kulturforum or Varian-Fry-Str. or Potsdamer Platz + 4 minutes walk, 200 to Philharmonie
Underground U2 to Potsdamer Platz + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26 and regional trains to Potsdamer Platz + 10 minutes walk
Current information: due to building works around the Philharmonie, traffic is being diverted in the area of Herbert-von-Karajan-Straße and Tiergartenstraße. For further information, please consult the website of the Philharmonie.
There are a limited number of charged parking spaces on the site of the Philharmonie:
per hour or part-hour 2.50 Euros
day maximum 20.00 Euros
lost ticket 20.00 Euros
evening rate 7 pm to 5 am 7.00 Euros
Sunday flat rate 6.00 Euros
Please also use parking possibilities in the Sony Center (entrances Ben-Gurion- and Bellevuestraße) as well as Potsdamer Platz Arkaden (entrance to underground parking on Reichpietschufer) and in the car park on Schöneberger Ufer. All these are public parking areas belonging to the City of Berlin, on behalf of which they are administrated by APCOA Autoparking GmbH.
As the Berlin Philharmonic Hall is a listed building, unfortunately it is not fully accessible in all areas. Further information regarding entrances for the disabled, places in the disabled box, and offers of help for the sight and hearing impaired are available on the website of the Philharmonie.
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service (link) is happy to assist with any further questions. On site, you can contact the staff of the events service EVENTTEAM, who will be happy to help you in any way.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the foyer or on the first floor opposite Block A right. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the porter at the stage door (in the direction of Potsdamer Platz) and can be collected from there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
Snacks and drinks are sold in the foyer of the Philharmonie before concerts and in the concert intervals. These can be ordered in advance for the opening of doors and the interval, please ring tel. 030 265 15 24 or via email to firstname.lastname@example.org.
No food or drink may be taken into the concert hall.
The building opens one hour before the start of concerts.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
Should you arrive too late for a concert, it will depend on the works being played when and whether there will be late admissions. Please speak to the staff of the respective venue. It may not be possible for you to take up your actual seat until the concert interval, as the music cannot be disturbed. No refund on ticket prices is possible.
Our programmes are sold by the admission stewards before each concert and in the interval, costing 3 € each.
RSB subscribers receive a free copy of the relevant programme on presentation of a voucher.
Steffen Georgi, dramaturge of the RSB, offers free introductory talks to most symphonic concerts in the auxiliary rooms of the Konzerthaus or the Philharmonie. These take place 50 minutes (in the Philharmonie) or 60 minutes (in the Konzerthaus) before the start of the concert. The introductory talks will take place in German language. All relevant details may be found in our annotated concert calendar; see entries on respective concert dates.