On this side and beyond the borders
ATTENTION: Concert cancelled
Igor Stravinsky “Chant funèbre” (Funeral Song) for orchestra, Op. 5
(in memory of Nikolai Rimsky-Korsakov)
Karol Szymanowski Violin Concerto No. 1, Op. 35
Anton Webern Six Pieces for Orchestra, Op. 6 a
Alexander Skrjabin “Le Poème de l’extase”, Op. 54 –
Symphony No. 4
Karina Canellakis - Conductor
Nicola Benedetti - Violin
Karina Canellakis - Conductor
Born in New York, Karina Canellakis took up the role of Principal Guest Conductor of the RSB at the beginning of the 2019/2020 season, also assuming a long-term collaboration with the orchestra alongside Vladimir Jurowski. Karina and the orchestra first performed together in September 2017 at the Mecklenberg-Vorpommern Festival and quickly built a strong rapport. Her successful first season astonished audiences, notably with the critically acclaimed performances of Beethoven’s ninth symphony at the RSB’s popular New Years’ Concerts.
As the Principal Guest Conductor, Karina Canellakis will establish her own thematic narrative throughout each season. She will conduct two concerts of the RSB in the 2020/2021 season. On 29 November 2020, Beethoven’s Symphony No. 8 will precede Sibelius’ Symphony No. 5. Brahms fancied Hungarian sounds in music his whole life. That’s why he would probably welcome Frank Peter Zimmermann, who will interpret the Rhapsody No. 1 by Béla Bartók, with open arms. On 24 April 2021 the violinist will take the audiences on a journey from this unprecedented firework of Csárdás back to the Czech Republic, playing the breathtaking Suite Concertante by Bohuslav Martinů. Karina Canellakis will open the concert with the passionate tone poem „Jealosy“ by Leoš Janáček.
Karina Canellakis, who has Greek and Russian ancestry and speaks English as well as German, French, and Italian, began her musical career as a violinist. In the course of her education, she became a member of the orchestra academy of the Berliner Philharmoniker, where she was encouraged by Sir Simon Rattle to devote herself more to conducting. She followed this advice with great enthusiasm and won the Sir Georg Solti Conducting Award in 2016. With emotionally charged performances, technical brilliance, and interpretative depth, she quickly made a name for herself at orchestras and at opera houses in the USA, Europe, Asia, and Australia.
In addition to her involvement with the RSB, Karina Canellakis took up her first position as Chief Conductor at the Radio Filharmonisch Orkest of the Netherlands in autumn 2019, with whom she will launch a cycle of Janáček operas in January 2021, starting with „Jenůfa“.
In the 2020/2021 season, the charismatic conductor will realise some remarkable projects, such as her début with the Pittsburgh Symphony Orchestra and the Deutsche Oper Berlin (Mozart’s „Le nozze de Figaro“). Again, she will be on the rostrum of the London und Royal Stockholm Philharmonic Orchestra, Orchestre de Paris, Melbourne Symphony Orchestra, Sydney Symphony, Seattle and Detroit Symphony Orchestra and the Wiener Symphoniker.
Nicola Benedetti - Violin
Nicola Benedetti is one of the most sought-after violinists of her generation. Her ability to captivate audiences with her innate musicianship and spirited presence, coupled with her wide appeal as a high-profile advocate for classical music, has made her one of the most influential classical artists of today.
With concerto performances at the heart of her career, Nicola is in much demand with major orchestras and conductors across the globe. Conductors with whom Nicola has worked include Vladimir Ashkenazy, Jiří Bělohlávek, Stéphane Denève, Christoph Eschenbach, James Gaffigan, Hans Graf, Valery Gergiev, Alan Gilbert, Jakub Hrůša, Kirill Karabits, Andrew Litton, Kristjan Järvi, Vladimir Jurowski, Cristian Măcelaru, Zubin Mehta, Andrea Marcon, Peter Oundjian, Vasily Petrenko, Donald Runnicles, Thomas Søndergård, Krzysztof Urbański, Juraj Valcua, Edo de Waart, Pinchas Zukerman and Jaap van Zweden.
Nicola enjoys working with the highest level of orchestras including collaborations with the London Symphony Orchestra, London Philharmonic Orchestra, New York Philharmonic, Orchestra of the Mariinsky Theatre, Leipzig Gewandhausorchester, Frankfurt Radio Symphony, Camerata Salzburg, Czech Philharmonic, Danish National Symphony Orchestra, Los Angeles Philharmonic, San Francisco Symphony, Chicago Symphony Orchestra and National Symphony Orchestra of Washington D.C.
In the 2019/20 season, Nicola makes her debut with the Wiener Symphoniker and undergoes a tour of Asia with the Deutsches Symphonie-Orchester Berlin and Robin Ticciati. She will also reunite with Vladimir Jurowski and the London Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Scottish Chamber Orchestra, Royal Stockholm Philharmonic and embark on a tour with the Royal Scottish National Orchestra led by Thomas Søndergård. She performs the Marsalis Violin Concerto with the San Francisco Symphony and James Gaffigan and with Cristian Măcelaru firstly with the Gothenburg Symphony and then again with the Orchestre de Paris. She will come together again with Karina Canellakis firstly with the Rundfunk-Sinfonieorchester Berlin and later with the Los Angeles Philharmonic. Similarly, she joins Michael Tilson Thomas for concerts with the London Symphony Orchestra and then again with the New World Symphony in Miami. Nicola has also been appointed as the Melbourne Symphony Orchestra’s Artist in Residence for 2020 which will include a concerto performance under the baton of Sir Andrew Davis, a European tour and education sessions and masterclasses.
Last season’s highlights include collaborations with the Royal Stockholm Philharmonic, BBC Symphony Orchestra, Chicago Symphony, Lucerne Symphony Orchestra, Royal Scottish National Orchestra, Orchestre National du Capitole de Toulouse, San Francisco Symphony, Seattle Symphony, Frankfurter Museumsorchester, Toscanini Orchestra and Philharmonia Orchestra with Pablo Heras-Casado. She also undertook tours with the San Francisco Symphony Youth Orchestra and National Youth Orchestra of Great Britain culminating in a concert at the BBC Proms. During the summer, joined forces with Iván Fischer to perform with the Budapest Festival Orchestra at Los Angeles’ Hollywood Bowl and performed the Marsalis Violin Concerto at the Aspen Music Festival under Robert Spano and at the Cabrillo Festival of Contemporary Music with Cristian Măcelaru.
With her regular duo partner pianist Alexei Grynyuk, Nicola frequently performs recitals in the world’s leading concert halls and festivals with most recent highlights including Wigmore Hall, Concertgebouw Amsterdam, Utrecht, Rome, Copenhagen, Dortmund, Ludwigshafen, Bielefeld and Kiel. Nicola is also a devoted chamber musician and collaborates with cellist Leonard Elschenbroich and pianist Alexei Grynyuk, who have been performing as a trio since 2008. Past performances include London’s Cadogan Hall, Amsterdam Concertgebouw, Birmingham Symphony Hall, Edinburgh Festival, Glasgow Royal Concert Hall, Frankfurt Alte Oper, Ravinia Festival, New York’s 92nd Street Y and Hong Kong City Hall. In November 2018 the trio embarked on a month-long Australian tour giving 9 performances in 7 cities. This season the trio reunites for a European tour in the Spring of 2020.
Nicola has continued her role as a dedicated, passionate ambassador and leader in music education. She has reached thousands of young people through workshops, masterclasses, partnership projects, and school visits, providing key moments of inspiration for young instrumentalists, as well as focused, high quality teaching and guidance. Nicola has connected with teachers, aiming to support their practice, highlight their essential role in society – especially during a period when many jobs have been under threat – and encourage collaboration and mutual learning. This commitment to supporting the UK’s music practitioners was underlined in July 2018, when Nicola took over as President of the European String Teachers Association. She is formalising her vision and expanding her commitment to the education of young people and the supporting of music teachers by establishing a charitable organisation: The Benedetti Foundation.
Nicola continues to hold key positions in a number of the country’s most established and high quality youth music organisations including the National Children’s Orchestras (Vice President), Sistema Scotland (Big Sister), National Youth Orchestras of Scotland’s Junior Orchestra (Patron), Music in Secondary Schools Trust (Patron), Junior Conservatoire at the Royal Conservatoire of Scotland (Patron) and many more.
Winner of Best Female Artist at both 2012 and 2013 Classical BRIT Awards, Nicola records exclusively for Decca (Universal Music). Her most recent recording features premiere recordings of two works written especially for her by jazz musician Wynton Marsalis: Violin Concerto in D and Fiddle Dance Suite for Solo Violin. Her past recordings on Universal/Deutsche Grammophon include a varied catalogue of works from Shostakovich & Glazunov Violin Concertos to Szymanowski Concerto (London Symphony Orchestra/Daniel Harding) to Homecoming; A Scottish Fantasy, which made Nicola the first solo British violinist since the 1990s to enter the Top 20 of the Official U.K. Albums Chart.
Nicola attracts an enormous amount of worldwide media attention following the various facets of her extraordinary career and her international television appearances have been wide and varied including performing at the Opening Ceremony of the 2014 Commonwealth Games to a live audience of approximately 40,000 and TV viewing audience of 9.4 million people.
Nicola was appointed a Commander of the Order of the British Empire (CBE) in the 2019 New Year Honours List, awarded the Queen’s Medal for Music in 2017, the youngest ever recipient, and was appointed as a Member of the Most Excellent Order of the British Empire (MBE) in 2013 in recognition of her international music career and work with musical charities throughout the United Kingdom. In addition, Nicola has received eight honorary degrees to date.
Born in Scotland of Italian heritage, Nicola began violin lessons at the age of five with Brenda Smith. In 1997, she entered the Yehudi Menuhin School, where she studied with Natasha Boyarskaya. Upon leaving, she continued her studies with Maciej Rakowski and then Pavel Vernikov, and continues to work with multiple acclaimed teachers and performers.
Nicola plays the Gariel Stradivarius (1717), courtesy of Jonathan Moulds.
Sun 5 April 2020 - 8 pm Konzerthaus Berlin
- from € 20
- Introduction with Steffen Georgi: 7 pm, Ludwig-van-Beethoven-Saal (free, limited number of seats)
It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
› for all those under 30
› Sit in the best seats for one year as from date requested
› Fixed price of 8 € for concerts or 10 € for opera and ballet (depending on availability at the evening box office)
› valid all participating ensembles' own events and venues: RundfunkSinfonieorchester Berlin, Rundfunkchor Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Konzerthaus Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Staatsoper im Schiller Theater, Staatsballett Berlin › Monthly bonus and visits to rehearsals, raffle to win a role as an extra etc. › All advantages for only 15 €, further information: www.classiccard.de
› for young people aged 14 to 21 › Experience Berlin's top musicians: Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, Konzerthausorchester Berlin, Berliner Philharmoniker, Junge Deutsche Philharmonie, Bundesjugendorchester › Six concerts per season for a package price of only 36 € › Additional bonus as well as special concert introductions, talks with musicians etc., further information: www.berlinerjugendabo.de
Route directions & parking location
The Konzerthaus can be accessed easily by the following means of public transport:
Bus M48 to U Stadtmitte/Leipziger Straße + 5 minutes walk, 100 to Unter den Linden/Friedrichstraße + 5 minutes walk, 147 to Französische Straße, 200 to Unter den Linden/Friedrichstraße + 5 minutes walk
Underground U2 to Hausvogteiplatz + 3 minutes walk or Stadtmitte + 5 minutes walk, U6 to Französische Straße + 4 minutes walk or Stadtmitte + 5 minutes walk, U55 to Brandenburger Tor + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26, S3, S5, S7, S9 to Friedrichstraße + 15 minutes walk, S1, S2, S25, S26 to Brandenburger Tor + 10 minutes walk
For those arriving by car, the following underground car park is available : Taubenstraße/Jägerstraße run by Contipark Parkgaragengesellschaft mbH (address of entrance: Taubenstraße 14, 10117 Berlin, The-Q). The cost of parking here is 2.00 Euros per hour. Exclusively for concert audiences: the Konzerthaus rate is 5.50 Euros for a full six hours parking. Simply get your parking ticket marked at the service desk in the foyer of the Konzerthaus.
For concerts with an introduction by our dramaturge, admission begins 75 minutes before the concert.
The building opens one hour before the start of concerts without such introductions.
A lift, accessible via the stage entrance (Charlottenstraße), is available for the use of the physically disabled. Disabled toilets can be found close to the stage entrance and at Café Konzerthaus. Identified parking for the disabled is available in Charlottenstraße (close to the stage entrance) and Markgrafenstraße (near Taubenstraße).
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service is happy to assist with any further questions. On site, you can contact the staff of the events service ARTIS, who will be happy to help you in any way.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the entrance foyer. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the stage porter (rear entrance) and can be collected there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
The gastronomic offers at the Konzerthaus, including refreshing drinks and delicious snacks, can be found in the Ludwig-van-Beethoven-Saal or Carl-Maria-von-Weber-Saal, as well as in the snack foyer. It is possible to reserve a table in advance and pre-order drinks and a snack for the interval, personally or by telephone: tel. 030 848 55 666.
No food or drinks may be taken into the concert hall.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
Steffen Georgi, dramaturge of the RSB, offers free introductory talks to most symphonic concerts in the auxiliary rooms of the Konzerthaus or the Philharmonie. These take place 50 minutes (in the Philharmonie) or 60 minutes (in the Konzerthaus) before the start of the concert. The introductory talks will take place in German language. All relevant details may be found in our annotated concert calendar; see entries on respective concert dates.
Should you arrive too late for a concert, it will depend on the works being played when and whether there will be late admissions. Please speak to the staff of the respective venue. It may not be possible for you to take up your actual seat until the concert interval, as the music cannot be disturbed. No refund on ticket prices is possible.
Our programmes are sold by the admission stewards before each concert and in the interval, costing 3 € each.
RSB subscribers receive a free copy of the relevant programme on presentation of a voucher.