Bruckner’s 3rd Symphony – joy and anguish of the world
From Haydn with RSB soloists to Bruckner's stylistic "Wagner" Symphony
Joseph Haydn Sinfonia Concertante in B flat major for oboe, bassoon, violin, cello and orchestra
Anton Bruckner Symphony No. 3 in D minor, WAB 103
(Second version from 1877)
Vladimir Jurowski - Conductor
Clara Dent-Bogányi - Oboe
Sung Kwon You - Bassoon
Rainer Wolters - Violin
Konstanze von Gutzeit - Violoncello
Ralf Sochaczewsky - Assistant to Chief Conductor
Vladimir Jurowski - Conductor
Vladimir Jurowski is one of the most sought-after conductors of our time, enjoying international acclaim for his outstanding musical ability and a consistently adventurous artistic approach. He has been Chief Conductor and Artistic Director of the Berlin Radio Symphony Orchestra (RSB) since September 2017. He was born in Moscow, where he began his musical education at the conservatoire. In 1990, he and his family moved to Germany, where he completed his studies at the colleges of music in Dresden and Berlin. His international debut was at the Wexford festival as well as the Royal Opera House Covent Garden in 1995.
Vladimir Jurowski was appointed Principal Guest Conductor of the London Philharmonic Orchestra in 2003, becoming its Principal Conductor in 2007. In addition, he is Artistic Director of the Russian Academic State Orchestra “Yevgeny Svetlanov”, Principal Artist of the Orchestra of the Age of Enlightenment, and Artistic Advisor to the “ensemble unitedberlin”. In 2015 he was also appointed Artistic Director of the George Enescu Festival in Bucharest. It was announced in March 2018 that he is to become Generalmusikdirektor of the Bavarian State Opera as from the 2021/2022 season. In the past he has held positions including First Kapellmeister of the Komische Oper Berlin (1997-2000) and Musical Director of Glyndebourne Festival Opera (2001-2013). In March 2016 he was awarded an honorary doctorate by the Royal College of Music in London.
Vladimir Jurowski conducts top orchestras in Europe and North America, such as the Dresdner Staatskapelle, the Gewandhaus Orchestra Leipzig, the Royal Concertgebouw Orchestra Amsterdam, the Boston, Cleveland and Philadelphia orchestras, and the New York Philharmonic, as well as the Berlin and Vienna philharmonic orchestras. He also appears regularly at international festivals such as the BBC Proms, and since 1995 he has worked at major international opera houses, incl. at the Metropolitan Opera New York, the Welsh National Opera, the Scala in Milan, the Bolshoi Theatre, and the Dresden Semper Opera.
He returned to Glyndebourne Opera in 2017 for the world premiere of Brett Dean’s “Hamlet” and shortly afterwards he made his debut at Salzburg Festival with Alban Berg’s “Wozzeck”. In 2018 he conducted new productions of Modest Mussorgsky’s “Boris Godunov” at the Opéra National de Paris and Franz Schreker’s “Die Gezeichneten” at Zurich Opera House.
His extensive, frequently prizewinning discography now includes three recordings with the RSB for PENTATONE, interpreting works by Schnittke, Mahler, Strauss, Hindemith and Britten.
Clara Dent-Bogányi - Oboe
The oboist Clara Dent-Bogányi, who grew up in Salzburg, comes from a family of musicians. A number of important international awards decorated the beginning of her artistic career, such as the ARD Competition and the Geneva Competition (CIEM).
Clara Dent-Bogányi performs as a soloist with many renowned orchestras and has already recorded numerous solo works on CD and for radio. Her solo albums “Les Folies D`Espagne” and “La Primadonna” have received critical acclaims.
As a chamber musician she attends invitations to festivals throughout Europe and Asia, as she has already performed during the Berlin festival weeks, the Schloss Elmau Festival, the Bach Festival Weeks in Salzburg and the “International Oboe Festival” in China. Her chamber music partners include artists such as Radek Baborak, Irena Grafenauer, the Kuss Quartet and many more.
Since 1999, Clara Dent-Bogányi has been the solo oboist with the Rundfunk-Sinfonieorchester Berlin and a welcome guest with the Berliner Philharmoniker, the Israel Philharmonic Orchestra, the Bayerische Staatsoper München and the Bavarian Radio Symphony Orchestra.
In 2009, Clara Dent-Bogányi responded to the call of the Nuremberg University of Music and since then has held the professorship of oboe.
Assistant to Chief Conductor
Ralf Sochaczewsky - Assistant to Chief Conductor
Ralf Sochaczewsky received conducting lessons under Christian Grube and Marc Piollet at the Berlin University of the Arts. Later he studied choir conducting under Jörg-Peter Weigle and orchestral conducting under Prof. Reuter at the Hochschule für Musik “Hanns Eisler”.
He directs the Berlin choir Cantus Domus, with which he won a 1st prize at the Berlin Choir Competition in 2017 and a 3rd prize at the 8th Choir Competition of the Deutscher Musikrat in Dortmund . From 1998 to 2012, he conducted the Ensemberlino Vocale choir and successfully participated in choir competitions (1st prize at Chorfest Bremen (Bremen Choir Festival) 2008).
He regularly works with choirs like the Berlin Vocalconsort, the Cappella Amsterdam, the RIAS Kammerchor, and the Berliner Rundfunkchor.
In 2016, he conducted the European premiere of the oratorio “Anthracite Fields” by Julia Wolfe, which won the Pulitzer Prize in 2015, with the DR Vocalensemble and Bang on a Can-All Stars.
Ralf Sochaczewsky has performed with orchestras such as the London Philharmonic Orchestra, the Konzerthausorchester Berlin, the National Radio Orchestra Bucharest, and the Chamber Orchestra of the Minsk Philharmonic. He conducted operas at the Bolshoi Theatre Moscow, the Komische Oper Berlin, the Opera National du Rhin, and the Lithuanian National Opera.
Ralf Sochaczewsky collaborated with various pop groups and artists such as Stargaze and André de Ridder, Bon Iver, Damien Rice, Lisa Hannigan, and Tocotronic. With Cantus Domus, he is a regular guest at festivals such as HaldernPop and KalternPop.
He teaches choral conducting at the Hochschule für Musik “Hanns Eisler”. For his great service to the Berlin choir scene, the Chorverband Berlin awarded him the Geschwister Mendelssohn Medal in 2017.
Sun 8 December 2019 - 8 pm Konzerthaus Berlin
- from € 20
- Introduction with Steffen Georgi: 7 pm, Werner-Otto-Saal (free, limited number of seats)
It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
› for all those under 30
› Sit in the best seats for one year as from date requested
› Fixed price of 8 € for concerts or 10 € for opera and ballet (depending on availability at the evening box office)
› valid all participating ensembles' own events and venues: RundfunkSinfonieorchester Berlin, Rundfunkchor Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Konzerthaus Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Staatsoper im Schiller Theater, Staatsballett Berlin › Monthly bonus and visits to rehearsals, raffle to win a role as an extra etc. › All advantages for only 15 €, further information: www.classiccard.de
› for young people aged 14 to 21 › Experience Berlin's top musicians: Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, Konzerthausorchester Berlin, Berliner Philharmoniker, Junge Deutsche Philharmonie, Bundesjugendorchester › Six concerts per season for a package price of only 36 € › Additional bonus as well as special concert introductions, talks with musicians etc., further information: www.berlinerjugendabo.de
Route directions & parking location
The Konzerthaus can be accessed easily by the following means of public transport:
Bus M48 to U Stadtmitte/Leipziger Straße + 5 minutes walk, 100 to Unter den Linden/Friedrichstraße + 5 minutes walk, 147 to Französische Straße, 200 to Unter den Linden/Friedrichstraße + 5 minutes walk
Underground U2 to Hausvogteiplatz + 3 minutes walk or Stadtmitte + 5 minutes walk, U6 to Französische Straße + 4 minutes walk or Stadtmitte + 5 minutes walk, U55 to Brandenburger Tor + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26, S3, S5, S7, S9 to Friedrichstraße + 15 minutes walk, S1, S2, S25, S26 to Brandenburger Tor + 10 minutes walk
For those arriving by car, the following underground car park is available : Taubenstraße/Jägerstraße run by Contipark Parkgaragengesellschaft mbH (address of entrance: Taubenstraße 14, 10117 Berlin, The-Q). The cost of parking here is 2.00 Euros per hour. Exclusively for concert audiences: the Konzerthaus rate is 5.50 Euros for a full six hours parking. Simply get your parking ticket marked at the service desk in the foyer of the Konzerthaus.
A lift, accessible via the stage entrance (Charlottenstraße), is available for the use of the physically disabled. Disabled toilets can be found close to the stage entrance and at Café Konzerthaus. Identified parking for the disabled is available in Charlottenstraße (close to the stage entrance) and Markgrafenstraße (near Taubenstraße).
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service is happy to assist with any further questions. On site, you can contact the staff of the events service ARTIS, who will be happy to help you in any way.
For concerts with an introduction by our dramaturge, admission begins 75 minutes before the concert.
The building opens one hour before the start of concerts without such introductions.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the entrance foyer. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the stage porter (rear entrance) and can be collected there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
The gastronomic offers at the Konzerthaus, including refreshing drinks and delicious snacks, can be found in the Ludwig-van-Beethoven-Saal or Carl-Maria-von-Weber-Saal, as well as in the snack foyer. It is possible to reserve a table in advance and pre-order drinks and a snack for the interval, personally or by telephone: tel. 030 848 55 666.
No food or drinks may be taken into the concert hall.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
Should you arrive too late for a concert, it will depend on the works being played when and whether there will be late admissions. Please speak to the staff of the respective venue. It may not be possible for you to take up your actual seat until the concert interval, as the music cannot be disturbed. No refund on ticket prices is possible.
Our programmes are sold by the admission stewards before each concert and in the interval, costing 3 € each.
RSB subscribers receive a free copy of the relevant programme on presentation of a voucher.