Between Freedom and Love
Dima Slobodeniouk and Chen Reiss
ATTENTION: Concert has been cancelled
Carl Nielsen “Helios” – Ouvertüre für Orchester op. 17
Alban Berg Sieben frühe Lieder für Singstimme und Orchester
Jean Sibelius Sinfonie Nr. 2 D-Dur op. 43
Dima Slobodeniouk - Conductor
Chen Reiss - Soprano
Dima Slobodeniouk - Conductor
Lauded for his deeply informed and intelligent artistic leadership, Dima Slobodeniouk has held the position of Music Director of the Orquesta Sinfónica
de Galicia since 2013, which he combines with his more recent positions as Principal Conductor of the Lahti Symphony Orchestra and Artistic Director of the Sibelius Festival following his appointment in 2016.
Linking his native Russian roots with the cultural influence of his later homeland Finland, he draws on the powerful musical heritage of these two countries. He works with orchestras such as the Berliner Philharmoniker, Gewandhausorchester Leipzig, Symphonieorchester des Bayerischen Rundfunks, London Philharmonic, London Symphony Orchestra, Finnish Radio Symphony, Chicago, Houston and Baltimore as well as Sydney Symphony Orchestras.
Summer 2018 sees Slobodeniouk give his debut with the Boston Symphony Orchestra and Joshua Bell at the Tanglewood Music Festival. Further highlights are his debuts with the Royal Concertgebouw Orchestra Amsterdam, Rotterdam Philharmonic, ORF Radio-Symphonieorchester Wien at the Musikverein, Bayerisches Staatsorchester Munich, Minnesota, Seattle and Milwaukee Symphony Orchestras, NHK Symphony Orchestra and Seoul Philharmonic Orchestra as well as West Australian Symphony Orchestra. He returns to WDR Sinfonieorchester Cologne with Yefim Bronfman, Rundfunk-Sinfonieorchester Berlin, Dresdner Philharmonie, Netherlands Radio Philharmonic Orchestra, Finnish Radio Symphony, Helsinki Philharmonic and New Zealand Symphony Orchestras.
In Lahti, Slobodeniouk opens the 2018/19 season with Joseph Canteloupe’s Chants Auvergene and Beethoven’s Eroica Symphony, before he takes the orchestra on tour to China including Shanghai Arts Festival. In Galicia he launches the new season with Patricia Kopatchinskaja and Shostakovich Symphony No 11. Other soloists he works with include Nicolas Altstaedt, Leif Ove Andsnes, Khatia Buniatishvili, Vilde Frang, Vadim Gluzman, Johannes Moser, Baiba Skride, Simon Trpceski, Yuja Wang and Frank Peter Zimmermann.
Slobodeniouk’s discography was recently extended by recordings of works by Stravinsky with Ilya Gringolts and Orquesta Sinfónica de Galicia (BIS) and works by Aho with Lahti Symphony Orchestra (BIS), the latter received the BBC Music Magazine award 2018. He has previously recorded works by Lotta Wennäkoski with Finnish Radio Symphony Orchestra (Ondine) and works by Sebastian Fagerlund with Gothenburg Symphony Orchestra (BIS).
Moscow-born Dima Slobodeniouk studied violin at Moscow Central Music School under Zinaida Gilels and J. Chugajev, the Middle Finland Conservatory as well as the Sibelius Academy under Olga Parhomenko. He continued his Sibelius Academy studies with Atso Almila also under the guidance of Leif Segerstam and Jorma Panula, and has also studied under Ilya Musin and Esa-Pekka Salonen. Striving to inspire young musicians of the future, Slobodeniouk has worked with students at the Verbier Festival Academy over recent years and furthermore began a conducting initiative with the Orquesta Sinfónica de Galicia, providing an opportunity for students to work on the podium with a professional orchestra.
Chen Reiss - Soprano
Soprano Chen Reiss performed leading parts at the Vienna State Opera, Bavarian State Opera, Théâtre des Champs-Élysées, Teatro alla Scala, Semperoper Dresden, Deutsche Oper Berlin, Hamburg State Opera, De Nederlandse Opera Amsterdam,Wiener Festwochen, Maggio Musicale Fiorentino, Opera Company of Philadelphia and the Israeli Opera.
In 2016 She sang Morgana (Alcina) under Marc Minkowski at the Vienna State Opera, as well as Gretel and Sophie (Der Rosenkavalier). With the Vienna Philharmonic under the baton of Zubin Mehta, she sang a gala concert for Suntory Hall 30th Anniversary. In the same year Ms. Reiss also made her debut with the Royal Concertgebouw Orchestra under Daniele Gatti and sang Marzelline (Fidelio) with the Israel Philharmonic. In 2017 she will sing Zdenka (Arabella) and Marzelline (Fidelio) at the Vienna State Opera, Liu (Turandot) with the Israel Philharmonic, as well as concerts with the Chicago Symphony, Munich Philharmonic and Lucerne symphony. She will perform at the London Proms, Lucerne Festival, SHMF and many more. Her debut at the Royal Opera House under Antonio Pappano is planned for 2018.
In December 2014 Chen Reiss was invited to sing for Pope Francis during the Christmas Mass, which was broadcast worldwide. Accompanied by the Berlin Philharmonic and Sir Simon Rattle, Ms. Reiss sang the soundtrack to the film “Perfume”. A frequent soloist at important concert venues worldwide, Ms. Reiss sang with distinguished conductors such as: Daniel Barenboim, Christoph Eschenbach, Daniele Gatti, Daniel Harding, Manfred Honeck, Marek Janowski, Paavo Järvi, James Levine, Zubin Mehta, Mark Minkowski, Jonathan Nott, Donald Runnicles, Jeffrey Tate, Christian Thielemann and Franz Welser-Möst.
She performed concerts at the Salzburg, Ludwigsburg, Rheingau and Lucerne Festivals, as well as in Carnegie Hall, Vienna’s Musikverein and Palais des Beaux-Arts in Brussels. Other concert appearances include: Vienna Philharmonic, Staatskapelle Berlin, Gewandhausorchester Leipzig, Radio Symphony Orchestra Berlin, Tonhalle Düsseldorf, Laeiszhalle Hamburg, Philharmonie Berlin, Concerto Köln, Schleswig-Holstein Musik Festival, Mozarteum Orchestra Salzburg, Orchestre de Paris, Orchestre National de France, Pittsburgh Symphony and Dallas Symphony, among others.
Her operatic repertoire includes: Gilda (Rigoletto), Adina (L’elisir d’amore), Amina (LA Sonnambula), Nannetta (Falstaff), Oscar (Un ballo in maschera), Marie (La fille du régiment), Sophie (Der Rosenkavalier), Zdenka (Arabella), Rosina (Il barbiere di Siviglia), Pamina (Die Zauberflöte), Ilia (Idomeneo), Servilia (La clemenza di Tito), Susanna (Le nozze di Figaro), Konstanze (Die Entfuehrung aus dem Serail), Zerlina (Don Giovanni), Euridice (Orfeo ed Euridice), Adele (Die Fledermaus), and the title role in Das Schlaue Füchslein.
Her solo album, LIAISONS, won the Diapason D’or in 2011. On her latest album “Le Rossignol et la Rose” Chen Reiss presents a romantic compilation of songs with distinguished pianist Charles Spencer.
Sun 21 March 2021 - 8 pm Konzerthaus Berlin
- from € 20
- Einführung von Steffen Georgi: 19.00 Uhr, Ludwig-van-Beethoven-Saal (kostenfrei, begrenzte Platzanzahl)
It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
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Route directions & parking location
The Konzerthaus can be accessed easily by the following means of public transport:
Bus M48 to U Stadtmitte/Leipziger Straße + 5 minutes walk, 100 to Unter den Linden/Friedrichstraße + 5 minutes walk, 147 to Französische Straße, 200 to Unter den Linden/Friedrichstraße + 5 minutes walk
Underground U2 to Hausvogteiplatz + 3 minutes walk or Stadtmitte + 5 minutes walk, U6 to Französische Straße + 4 minutes walk or Stadtmitte + 5 minutes walk, U55 to Brandenburger Tor + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26, S3, S5, S7, S9 to Friedrichstraße + 15 minutes walk, S1, S2, S25, S26 to Brandenburger Tor + 10 minutes walk
For those arriving by car, the following underground car park is available : Taubenstraße/Jägerstraße run by Contipark Parkgaragengesellschaft mbH (address of entrance: Taubenstraße 14, 10117 Berlin, The-Q). The cost of parking here is 2.00 Euros per hour. Exclusively for concert audiences: the Konzerthaus rate is 5.50 Euros for a full six hours parking. Simply get your parking ticket marked at the service desk in the foyer of the Konzerthaus.
For concerts with an introduction by our dramaturge, admission begins 75 minutes before the concert.
The building opens one hour before the start of concerts without such introductions.
A lift, accessible via the stage entrance (Charlottenstraße), is available for the use of the physically disabled. Disabled toilets can be found close to the stage entrance and at Café Konzerthaus. Identified parking for the disabled is available in Charlottenstraße (close to the stage entrance) and Markgrafenstraße (near Taubenstraße).
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service is happy to assist with any further questions. On site, you can contact the staff of the events service ARTIS, who will be happy to help you in any way.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the entrance foyer. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the stage porter (rear entrance) and can be collected there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
The gastronomic offers at the Konzerthaus, including refreshing drinks and delicious snacks, can be found in the Ludwig-van-Beethoven-Saal or Carl-Maria-von-Weber-Saal, as well as in the snack foyer. It is possible to reserve a table in advance and pre-order drinks and a snack for the interval, personally or by telephone: tel. 030 848 55 666.
No food or drinks may be taken into the concert hall.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
Steffen Georgi, dramaturge of the RSB, offers free introductory talks to most symphonic concerts in the auxiliary rooms of the Konzerthaus or the Philharmonie. These take place 50 minutes (in the Philharmonie) or 60 minutes (in the Konzerthaus) before the start of the concert. The introductory talks will take place in German language. All relevant details may be found in our annotated concert calendar; see entries on respective concert dates.
Should you arrive too late for a concert, it will depend on the works being played when and whether there will be late admissions. Please speak to the staff of the respective venue. It may not be possible for you to take up your actual seat until the concert interval, as the music cannot be disturbed. No refund on ticket prices is possible.
Our programmes are sold by the admission stewards before each concert and in the interval, costing 3 € each.
RSB subscribers receive a free copy of the relevant programme on presentation of a voucher.