Richard Scott is a composer and improvisor residing in Berlin, who has been navigating the nether regions of free improvisation, jazz and avant-garde composition for some four decades. For the last few years he has been mostly focused on developing a personal and quite visceral approach to the compositional and improvisational possibilities of modular synthesis, working with collaborators including Audrey Chen, Kazuhisa Uchihashi, Phil Minton, Axel Dörner, Jon Rose, Shelley Hirsch, Thomas Lehn, Michael Vorfeld, Ute Wassermann, Jan Croonenbroeck and the Seicento Vocale choir, Trio Abstrakt, Pitchshifting Group,Richard Barrett, Evan Parker and Frank Gratkowski. He creates solo electronic compositions and performs in many ensembles, including many performances at international festivals and conferences such as Moers Music, Wels Music Unlimited, Festival International de Musique Actuelle de Victoriaville, Bratislava Next Festival of Advanced Music, London Jazz Festival, Nickelsdorf Konfrontationen, ICMC (International Computer Music Conference), Impakt Berlin, SMC (Sound Music Computing), Berliner Festspiele Immersion, Ulrichsberger Kaleidophon, Ars Electronica Forum Wallis and the Tokyo Electroacoustic Music Festival.
He is the author of several articles on the subjects of free improvisation, modular synthesis and post-acousmatic music, and he recently edited an issue of eContact! journal dedicated to analogue and modular synthesis. He currently leads the Masters Degree in Creative Production at Catalyst Institute for Creative Arts and Technology in Berlin.