ATTENTION: Due to recent events cancelled
Ludwig van Beethoven Symphony No. 8 in F major, op. 93
Jean Sibelius Symphony No. 5 in E-flat major, op. 82
Karina Canellakis - Conductor
This concert is an alternative concert. The originally planned programme can be found in the RSB Season Brochure 2020/2021 (german).
Karina Canellakis - Conductor
Born in New York, Karina Canellakis took up the role of Principal Guest Conductor of the RSB at the beginning of the 2019/2020 season, also assuming a long-term collaboration with the orchestra alongside Vladimir Jurowski. Karina and the orchestra first performed together in September 2017 at the Mecklenberg-Vorpommern Festival and quickly built a strong rapport. Her successful first season astonished audiences, notably with the critically acclaimed performances of Beethoven’s ninth symphony at the RSB’s popular New Years’ Concerts.
As the Principal Guest Conductor, Karina Canellakis will establish her own thematic narrative throughout each season. She will conduct two concerts of the RSB in the 2020/2021 season. On 29 November 2020, Beethoven’s Symphony No. 8 will precede Sibelius’ Symphony No. 5. Brahms fancied Hungarian sounds in music his whole life. That’s why he would probably welcome Frank Peter Zimmermann, who will interpret the Rhapsody No. 1 by Béla Bartók, with open arms. On 24 April 2021 the violinist will take the audiences on a journey from this unprecedented firework of Csárdás back to the Czech Republic, playing the breathtaking Suite Concertante by Bohuslav Martinů. Karina Canellakis will open the concert with the passionate tone poem „Jealosy“ by Leoš Janáček.
Karina Canellakis, who has Greek and Russian ancestry and speaks English as well as German, French, and Italian, began her musical career as a violinist. In the course of her education, she became a member of the orchestra academy of the Berliner Philharmoniker, where she was encouraged by Sir Simon Rattle to devote herself more to conducting. She followed this advice with great enthusiasm and won the Sir Georg Solti Conducting Award in 2016. With emotionally charged performances, technical brilliance, and interpretative depth, she quickly made a name for herself at orchestras and at opera houses in the USA, Europe, Asia, and Australia.
In addition to her involvement with the RSB, Karina Canellakis took up her first position as Chief Conductor at the Radio Filharmonisch Orkest of the Netherlands in autumn 2019, with whom she will launch a cycle of Janáček operas in January 2021, starting with „Jenůfa“.
In the 2020/2021 season, the charismatic conductor will realise some remarkable projects, such as her début with the Pittsburgh Symphony Orchestra and the Deutsche Oper Berlin (Mozart’s „Le nozze de Figaro“). Again, she will be on the rostrum of the London und Royal Stockholm Philharmonic Orchestra, Orchestre de Paris, Melbourne Symphony Orchestra, Sydney Symphony, Seattle and Detroit Symphony Orchestra and the Wiener Symphoniker.
Sun 29 November 2020 - 4 pm Philharmonie Berlin
- from € 20
- Einführung von Steffen Georgi: 15.10 Uhr, Hermann-Wolff-Saal (kostenfrei, begrenzte Platzanzahl)
Tickets for the December 2020 concerts are expected to be obtained from mid-November from the RSB visitor service in person, by phone, post, fax or by e-mail:
RSB Visitor Service
Charlottenstrasse 56 (2nd floor)
Telephone: 030 202 987 15
Fax: 030 202 987 29
E-mail: tickets@rsb-online. de
Information for the individual price categories can be found here.
The box office of the Philharmonie opens one hour before the concert begins.
An box office cannot be offered in the foyer of he Konzerthaus Berlin. The box office in the visitor service of he Konzerthaus Berlin is open one hour before the start of the concert for short-term ticket purchases and questions. You can only book double seats online for all events. Single seats are only available via the ticket hotline and the visitor service.
Around the concert
Concert goers must carry a current identity card or an appropriate official document such as a passport with them.
All concert halls (Philharmonie, Konzerthaus, Kühlhaus, silent green and Villa Elisabeth) require the wearing of mouth-nose protection until the end of the concert - even for people with a corresponding medical certificate. Unfortunately, the use of face shields cannot be recognized as the equivalent of mouth-nose protection. Accordingly, all persons without a mask are prohibited from entering.
General distance and hygiene measures
Please observe the general distance and hygiene measures: Keep a minimum distance of 1.5 metres to other people, cough and sneeze in the crook of your arm, use the disinfectant dispensers and stay at home if symptoms of illness occur.
Route directions & parking location
It is easy to access the Philharmonie by public transport:
Buses M84, M85, N2 to Kulturforum or Varian-Fry-Str. or Potsdamer Platz + 4 minutes walk, 200 to Philharmonie
Underground U2 to Potsdamer Platz + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26 and regional trains to Potsdamer Platz + 10 minutes walk
Current information: due to building works around the Philharmonie, traffic is being diverted in the area of Herbert-von-Karajan-Straße and Tiergartenstraße. For further information, please consult the website of the Philharmonie.
There are a limited number of charged parking spaces on the site of the Philharmonie:
per hour or part-hour 2.50 Euros
day maximum 20.00 Euros
lost ticket 20.00 Euros
evening rate 7 pm to 5 am 7.00 Euros
Sunday flat rate 6.00 Euros
Please also use parking possibilities in the Sony Center (entrances Ben-Gurion- and Bellevuestraße) as well as Potsdamer Platz Arkaden (entrance to underground parking on Reichpietschufer) and in the car park on Schöneberger Ufer. All these are public parking areas belonging to the City of Berlin, on behalf of which they are administrated by APCOA Autoparking GmbH.
The public parking areas on Herbert-von-Karajan-Straße (on the western side of the Philharmonie) provide a limited number of identified parking spaces for the disabled. Unfortunately, it is generally not possible to reserve parking spaces.
On your ticket you will find detailed information about the entrance, block and seat, and the colour of the path that will lead you to your block. Admission is via various entrances. The walkways and hall entrances throughout the building are coloured - see admission plan:
Seats on the right side of the hall: Enter via the box office foyer
- Path to Block A / B on the right via stairs, box office foyer - green
- Path to Block C, D right via stairs, box office foyer - blue
- Path to block E, F, G, H and K on the right via stairs box office foyer - purple
Seats on the left side of the hall: Enter via the garden and east entrance
- Path to block A and B on the left via stairs outside stairs buffet - red
- Path to block C, D left over stairs outside stairs buffet - yellow
- Path to block E, F, G, H and K left over stairs outside stairs buffet - orange
Please note that late or re-admission is not possible.
Philharmonie: Barrier-free accessibility
If possible, disabled visitors and wheelchair users use the eastern entrance. The elevators may be occupied by a maximum of 2 guests as well as a front of house staff member to guide the elevator.
Philharmonie: In the concert hall
All tickets are bonded to seats.
Seats that are not to be occupied will be blocked to the extent necessary to maintain a minimum distance of 1 meter in all directions. Blocked seats (also in the blocked rows of seats) are locked with a clearly visible Velcro strip so that the seats cannot be folded down and are therefore blocked for use.
Cloakrooms are not available in any of the concert halls. You can take your jackets and bags up to A4 size with you into the concert halls.
Philharmonie Berlin: Before and after the events, there will be an catering on offer in front of the entrance Potsdamer Straße.
At the moment, there will be no catering on offer in any of the concert halls.
All concerts take place without a break and last about 60 to 90 minutes.
Introduction / Pre-Concert Talks
Concert introductions cannot currently take place at the venue. Nevertheless, you have the opportunity to watch the concert introductions by our dramaturge Steffen Georgi on video a few days before the concert on the concert website. You can find out whether there is a concert introduction on the concert webpages in our concert calendar.
The programmes can be downloaded digitally on the concert webpages of the RSB about two days before the concert and are also available free of charge on the concert evening.