Stravinsky x 6: III Pulcinella
Vladimir Jurowski and Rudolf Buchbinder
Strauss' Tanzsuite and piano work Burleske and Stravinskys Pulcinella
Richard Strauss Tanzsuite – aus Klavierstücken von François Couperin zusammengestellt und für kleines Orchester bearbeitet von Richard Strauss
Richard Strauss “Burleske” d-Moll für Klavier und Orchester
Igor Stravinsky “Pulcinella” – Music for the ballet of the same name
Vladimir Jurowski - Conductor
Rudolf Buchbinder - piano
Ina Kancheva - Soprano
Tobias O. Hagge - Basso
Ziad Nehme - Tenor
Whether the concerts can take place as live concerts or as planned in front of audience will be announced on this website. The start of ticket sales for this concert will also be announced.
This concert is part of a compact cycle of 6 concerts as part of the Stravinsky Festival of the RSB in April, May and June 2021.
Vladimir Jurowski - Conductor
Vladimir Jurowski has been chief conductor and artistic director of the Rundfunk-Sinfonieorchester Berlin since autumn 2017. The conductor, pianist and musicologist Vladimir Jurowski takes on all challenges whether they be stylistic, technical or music-historical.
After receiving training at the Moscow Conservatory Vladimir Jurowski emigrated to Germany in 1990. Here he continued his studies at the music conservatories in Dresden and Berlin – conducting with Rolf Reuter; correpetition and song accompaniment with Semion Skigin. In 1995 he made his international debut at the British Wexford Festival with Rimski-Korsakov’s “Mainacht” and in the same year at the Royal Opera House Covent Garden with “Nabucco”. Subsequently he was, among other things, First Kapellmeister of the Komische Oper Berlin (1997- 2001) and Music Director of the Glyndebourne Festival Opera (2001-2013). In 2003 Vladimir Jurowski was appointed Principal Guest Conductor of the London Philharmonic Orchestra and has been its Principal Conductor since 2007 and will stay on until summer 2021. He is also Artistic Director of the State Academic Symphony Orchestra Yevgeny Svetlanov of the Russian Federation until summer 2021, Artistic Director of the International George Enescu Festival in Bucharest and Principal Artist of the Orchestra of the Age of Enlightenment in Great Britain. He works regularly with the Chamber Orchestra of Europe and the ensemble unitedberlin. With the start of the 2021/2022 season, Vladimir Jurowski will take on one of the most prestigious roles in German musical life in addition to his engagement with the Rundfunk-Sinfonieorchester Berlin, by becoming General Music Director of the Bavarian State Opera in Munich, a position for which he signed a contract in 2018.
Vladimir Jurowski is in high demand around the world as a guest conductor. He has conducted the major orchestras of Europe and North America, including the Berlin, Vienna and New York Philharmonic Orchestras, the Royal Concertgebouw Orchestra Amsterdam, the Cleveland and Philadelphia Orchestras, the Boston and Chicago Symphony Orchestras, the Tonhalle Orchestra Zurich, the Staatskapelle Dresden and the Leipzig Gewandhaus Orchestra. As a guest conductor, Vladimir Jurowski conducted Prokofiev’s “Semyon Kotko” with the Radio Filharmonisch Orkest of the Netherlands in the Concertgebouw Amsterdam, made his debut at the Salzburg Easter Festival with the Staatskapelle Dresden, debuted with the Czech Philharmonic Orchestra, performed with the Gustav Mahler Youth Orchestra and the Mahler Chamber Orchestra at the Lucerne Festival and conducted a unique project with the London Sinfonietta in Moscow to mark the UK-Russian Year of Culture. Together with the Rundfunk-Sinfonieorchester Berlin he performed in Japan in spring 2019 and at the George Enescu Festival in Bucharest in autumn 2019.
The first joint CD by Vladimir Jurowski and the Rundfunk-Sinfonieorchester Berlin from 2015 immediately marked a milestone. Alfred Schnittke’s Symphony No. 3 was followed in 2017 by a Strauss/Mahler recording and a CD of violin concertos by Britten and Hindemith with soloist Arabella Steinbacher. In 2020, a critically acclaimed recording of Gustav Mahler’s “Das Lied von der Erde” was released.
Vladimir Jurowski has been the recipient of numerous awards for his achievements, including various international record prizes. In 2018, the Royal Philharmonic Society Music Awards named him Conductor of the Year. In 2016, he was bestowed an honorary doctorate from Prince Charles at the Royal College of Music in London. In 2020, Jurowski will be awarded the Order of Cultural Merit by the Romanian President in recognition of his work as Artistic Director of the George Enescu Festival.
Rudolf Buchbinder - piano
Rudolf Buchbinder is one of the legendary artists of our time. His piano playing is an unparalleled fusion of the authority of a career spanning more than sixty years with spirit and spontaneity.
His renditions of Ludwig van Beethoven’s works are considered to be exemplary. He has performed the thirty-two piano sonatas sixty times in cycles all over the world and developed the story of their interpretation over decades. He was the first pianist to play all Beethoven sonatas at the Salzburg Festival during a festival summer. A live recording is available on DVD.
In the 2019/20 season, for the first time in its 150-year history, the Musikverein Vienna was granting a single pianist, Rudolf Buchbinder, the honour of performing all five Beethoven piano concertos with five world class orchestras and conductors in a specially edited cycle. Buchbinder’s partners in this unprecedented constellation were the Leipzig Gewandhaus Orchestra under Andris Nelsons, the Vienna Philharmonic Orchestra under Riccardo Muti and the Bavarian Radio Symphony Orchestra, the Munich Philharmonic Orchestra and the Staatskapelle Dresden under their chief conductors Mariss Jansons, Valery Gergiev and Christian Thielemann.
Together with the Bavarian Radio Symphony Orchestra and Mariss Jansons, Rudolf Buchbinder also returned to the Elbphilharmonie Hamburg, the Philharmonie de Paris, the Philharmonie Luxembourg and the Carnegie Hall New York as part of a tour.
A première was at the core of the Beethoven Year 2020. Based on Beethoven’s monumental Diabelli Variations op. 120, Rudolf Buchbinder initiated a new cycle of Diabelli Variations written for him by eleven leading contemporary composers of different generations and backgrounds. The New Diabelli Variations were commissioned by eleven concert promoters worldwide and with the support of the Ernst von Siemens Music Foundation. The world first recording of the New Diabelli Variations marked the beginning of Rudolf Buchbinder’s exclusive partnership with Deutsche Grammophon. The album “The Diabelli Project” was released in March 2020.
Rudolf Buchbinder is an honorary member of the Vienna Philharmonic Orchestra, the Society of Friends of Music in Vienna, the Vienna Symphony Orchestra, the Staatskapelle Dresden and the Israel Philharmonic Orchestra.
Buchbinder attaches great importance to source research. His private music collection comprises 39 complete editions of Ludwig van Beethoven’s piano sonatas as well as an extensive archive of first prints. Numerous award-winning recordings document his career.
Ina Kancheva - Soprano
Ina Kancheva was born in Sofia.
She has been dedicated to the arts since the age of six, and has already toured the world as a soloist with the famous children’s choir of the Bulgarian National Radio. She graduated from the High School for Theatre and Fine Arts. From the age of 19 she studied opera singing at the State Academy of Music in Sofia.
Ina Kancheva was a member of the ensemble of the Stuttgart State Opera.
She has also been invited to perform at opera houses such as Covent Garden (London), La Scala (Milan), The Royal Danish Opera (Copenhagen) and Palau de les Arts Reina Sofia (Valencia). She is a regular guest at international music festivals such as the Festival de musique Baroque d’Ambronay (France), Rossini Opera Festival (Italy) and the Prague Spring International Music Festival (Czech Republic).
Ina Kancheva works with renowned orchestras and conductors such as Sir Neville Marriner, Vasily Petrenko, Cornelius Meister, Enrique Mazzola, Manfred Honeck, Alberto Zedda, Gianluigi Gelmetti, Jiri Belohlavek, Julia Jones and René Jacobs.
In 2016 she released her CD “Pauline Viardot” on Toccata Classics with pianist Ludmil Angelov. As part of Deutschlandfunk Kultur’s programme “Die besondere Aufnahme” (The Special Recording), Ina Kancheva took on the role of Madame Landru in the unknown chamber opera “Madame Landru” by Roberto Hazon and started a collaboration with the Rundfunk-Sinfonie Orchester Berlin and Deutschlandfunk Kultur.
Ziad Nehme - Tenor
Ziad Nehme was born in Tripoli, Lebanon. On leaving school he attended the Lebanese National Conservatory of Music in Beirut and then completed a masters in opera at the Mozarteum University in Salzburg. He went on to join the International Opera Studio at the Hamburg State Opera and then the ensembles of Stadttheater Bremerhaven, Staatstheater Oldenburg and Nationaltheater Mannheim. He also performed as a guest at the Berlin State Opera, Hamburg State Opera, Theater Kiel, as well as Kassel, Darmstadt and Mainz State Theatres. In the context of a tour with the CFPL he appeared on the stages of Rennes, Marseilles, Reims, Toulouse, Montpellier and other french cities. Further engagements include the Göteborg Konserthuset, Teatro Real Madrid, Shanghai Grand Theatre, Philharmonie de Paris, Festspielhaus Baden-Baden and the Berliner Philharmonie.
He collaborated with renowned conductors such as Daniel Barenboim, Valery Gergiev, Simone Young, Dan Ettinger, Kent Nagano, Alessandro De Marchi, Lorenzo Viotti, Alexander Soddy and Barbara Hannigan as well as stage directors Hans Neuenfels, Tatjana Gürbaca, Achim Freyer, Lydia Steier, Harry Kupfer, Tilman Knabe, Sasha Waltz and Markus Bothe.
Ziad’s operatic roles include Conte Almaviva, Ferrando, Don Ottavio, Arbace, Basilio, Alfred in »Die Fledermaus«, Camille de Rosillon, Boni, Male Chorus in »The Rape of Lucretia«, The Swan in »Carmina Burana«, Nerone in Händel’s »Agrippina« and Oronte in »Alcina«, Truffaldino in »The love for three oranges«, Marquis in Prokofjev’s »Gambler« and First Jew in »Salome«.
Ziad has also created numerous roles in works of contemporary composers such as Lucia Ronchetti (»Esame di mezzanotte«), Martin Matalon (»L’ombre de Venceslao«) and Gordon Kampe (»Anoia«) and has sung works by Brett Dean, Giacinto Scelsi and Georges Aperghis.
Wed 19 May 2021 - 8 pm Philharmonie Berlin oder Haus des Rundfunks