Earthly Parting – Eternal Universe
Alternative concert - subject to change
Ludwig van Beethoven Symphony No. 7 in A major, Op. 92
Johannes Brahms Sinfonie Nr. 4 e-Moll op. 98
Antonello Manacorda - Conductor
This concert is an alternative concert. The originally planned programme can be found in the RSB Season Brochure 2020/2021 (german).
Antonello Manacorda - Conductor
An Italian with a strong affinity for the German repertoire. A “natural melodist” (Der Tagesspiegel), who excels at transferring the intricacy of his stylistically informed interpretations to the big orchestral apparatus. More, a true artist merging sheer creative force with a highly collaborative performance style. Antonello Manacorda’s versatility as a conductor is rooted in the richness of his musical and cultural background: born into an French-Italian family in Turin, educated in Amsterdam and a longtime Berlin resident, Manacorda was a founding member and longstanding concert master of the Claudio Abbado – initiated Mahler Chamber Orchestra before studying under legendary Finnish conductor Jorma Panula. Today Antonello Manacorda is performing at both the world’s most renowned opera houses as well as at the helm of globally renowned symphony orchestras. At the heart of his work is the Kammerakademie Potsdam – an ensemble he has shaped as its Artistic Director since 2010 and produced a series of award-winning recordings with since.
In the 2020/21 season, Antonello Manacorda follows re-invitations to the Vienna State Opera (“The Abduction from the Seraglio”) and with a new production of Dmitri Tcherniakov’s “Der Freischütz” to the Bavarian State Opera, where he will also conduct productions of “Così fan tutte” and “The Magic Flute” in the 2020/21 season.
Highlights of his symphonic calendar in the 2020/21 season include guest appearances with the Sächsische Staatskapelle Dresden, the Royal Stockholm Philharmonic, the Vienna Symphony Orchestra, the NDR Radiophilharmonie, the SWR Symphony Orchestra and the Boulez Ensemble. On tour with the Kammerakademie Potsdam and the soloist Christian Tetzlaff Antonello Manacorda will perform amongst others at the Alte Oper Frankfurt, the Kölner Philharmonie, the Philharmonie Berlin, the NDR Sendesaal and the Elbphilharmonie.
Last season Antonello Manacorda debuted with “Le nozze di Figaro” at the Metropolitan Opera New York. Guest appearances have taken him amongst others to the Helsinki Philharmonic Orchestra, the Deutsche Symphonie-Orchester Berlin and the NDR Elbphilharmonie Orchestra.
With the Kammerakademie Potsdam, Antonello Manacorda has recorded both a Mendelssohn cycle and a Schubert cycle for Sony, that have received highest praise by the press. The recording was awarded the 2015 ECHO Klassik in the category “Best Orchestra of the Year”. With the Het Gelders Orkest Antonello Manacorda has recorded for Challenge Records pieces by Ravel and Debussy as well as pieces by Berlioz and Mahler with the Swedish soprano Lisa Larsson.
Sun 15 November 2020 - 4 pm Konzerthaus Berlin
- from € 20
- Einführung von Steffen Georgi: 15.00 Uhr, Werner-Otto-Saal (kostenfrei, begrenzte Platzanzahl)
Tickets for concerts until December 2020 can be obtained from the RSB-Webshop and the RSB visitor service in person, by phone, post, fax or by e-mail:
RSB Visitor Service
Charlottenstrasse 56 (2nd floor)
Telephone: 030 202 987 15
Fax: 030 202 987 29
E-mail: tickets@rsb-online. de
Information for the individual price categories can be found here.
Around the concert
Concert goers must carry a current identity card or an appropriate official document such as a passport with them.
All concert halls (Philharmonie, Konzerthaus, Kühlhaus, silent green and Villa Elisabeth) require the wearing of mouth-nose protection until the end of the concert.
General distance and hygiene measures
Please observe the general distance and hygiene measures: Keep a minimum distance of 1.5 metres to other people, cough and sneeze in the crook of your arm, use the disinfectant dispensers and stay at home if symptoms of illness occur.
The concert hall opens 45 minutes before the concert begins. There are additional entrances and exits, please follow the local signposting system. The walkways in the stairwells are marked accordingly in colour on the floor. For further information please refer to the protection and hygiene concept of the Konzerthaus.
Konzerthaus: Barrier-free Accessibility
The elevators may be occupied by a maximum of 2 guests as well as a front of house staff member to guide the elevator.
There are floor markings in front of the elevators to help visitors keep the distance.
Konzerthaus: In the concert hall
There is no free choice of seats. The concert hall staff will help you to find your way to your row of seats. Here you will find the hall plan of the Konzerthaus.
In order to comply with the distance rule in a concert, three seats in a row are blocked and the two neighboring seats are used for the guests. The space between people outside the household is thus guaranteed to be three chairs apart. Individual visitors also use the double seats, although it is accepted that one seat will then remain free.
Between the rows structured in this way, the rows in front and behind remain completely free in the parquet. Blocked seats (also in the blocked rows of seats) are locked with a clearly visible Velcro strip so that the seats cannot be folded down and are therefore blocked for use.
All concerts take place without a break and last about 60 to 90 minutes.
Cloakrooms are not available in any of the concert halls. You can take your jackets and bags up to A4 size with you into the concert halls.
At the moment, there will be no catering on offer in any of the concert halls.
Introduction / Pre-Concert Talks
Concert introductions cannot currently take place at the venue. Nevertheless, you have the opportunity to watch the concert introductions by our dramaturge Steffen Georgi on video a few days before the concert on the concert website. You can find out whether there is a concert introduction on the concert webpages in our concert calendar.
The programmes can be downloaded digitally on the concert webpages of the RSB about two days before the concert and are also available free of charge on the concert evening.