Walking concert Gärten der Welt Berlin
Boris Filanovsky
Arkhitekton Lambda fu¨r Orchester und Publikum in Bewegung
Paul Hindemith
Kleine Kammermusik für fünf Bläser op. 24 Nr. 2
Benjamin Britten
“Metamorphosen nach Ovid” für Oboe solo
Joseph Haydn
Streichquartett D-Dur op. 64 Nr. 5 Hob III:63 (“Lerchenquartett”)
“Bal”
Thomas Jahn
“Ballad”
Kurt Weill
“Mack the Knife” aus “Die Dreigroschenoper”
Thomas Jahn
“Slow Fox”
John & Paul Lennon & McCartney
“Michelle”
Thomas Jahn
“Bossa Nova”
Thomas Jahn
“Valse Boston”
Chris Hazell
“London Catwalk”
Gabriele Bastian
Oboe
Rudolf Döbler
Flute
Gudrun Vogler
Oboe
Barbara Pflanzelt
Clarinet
Sung Kwon You
Bassoon
Anne Mentzen
Horn
Enrico Palascino
Violin
Rodrigo Bauzá
Violin
Gernot Adrion
Viola
Georg Boge
Violoncello
Jonathan Bucka
Trumpet
Simone Gruppe
Trumpet
Simone Gruppe - Trumpet
Born in Frankfurt am Main in 1984, Simone Gruppe received her first trumpet lessons at the age of 9 at the Frankfurt Youth Music School with Sunhild Pfeiffer. After graduating from high school, she first studied with Prof. Klaus Schuhwerk, Heiko Hermann and Balázs Nemes at the Frankfurt University of Music and with Prof. Sepp Eidenberger at the Bruckner University in Linz/Austria. She then moved to the Hochschule für Musik Karlsruhe to study with Prof. Reinhold Friedrich, where she completed her master’s degree with distinction.
She gained orchestral experience in the European Youth Orchestra (EUYO) and the Gustav Mahler Youth Orchestra, among others. After internships with the orchestra of the National Theater Mannheim and the Stuttgart Philharmonic, she has been a member of the Rundfunk-Sinfonieorchester Berlin since 2010.
Uwe Holjewilken
Horn
Edgar Manyak
Trombone
Jörg Lehmann
Bassposaune
Jörg Lehmann - Bassposaune
Jörg Lehmann was born in Eisenhüttenstadt in 1962 and studied bass trombone with Hans Behrends at the Hanns Eisler Academy of Music in Berlin from 1979-1983.
After working as a substitute at the Komische Oper Berlin, he won the audition there and was bass trombonist from 1983-1986 under the then chief conductor, Prof Rolf Reuter.
In the same year he switched to the Rundfunk-Sinfonieorchester Berlin, under Prof. Heinz Rögner, later Rafael Frühbeck de Burgos and then for a long time under Marek Janowski.
Jörg Lehmann has played with various orchestras, including the Berlin Philharmonic, the Deutsche Oper Berlin, the Staatsoper Berlin, the Gewandhausorchester Leipzig and the Sächsische Staatskapelle Dresden under renowned conductors such as Giuseppe Sinopoli, Claudio Abbado, Seiji Ozawa, Sir Simon Rattle, Andris Nelsons and Christian Thielemann.
In addition to his orchestral activities, Lehmann is an enthusiastic chamber musician.
He was a founding member of the Berlin Trombone Quintet and a permanent member of the Ludwig Güttler Brass Ensemble.
Numerous guest appearances have taken him to other European countries, Asia, North and South America, the Middle East and Africa.
Jörg Lehmann now devotes himself to concert literature for trombone and organ.
Rundfunk-Sinfonieorchester Berlin
On Pentecost Sunday, the Rundfunk-Sinfonieorchester Berlin will swarm out into the countryside to make music in the open air in the Gardens of the World.
The park not only offers a refuge for flora from all over the world, but is also a charming place to recharge your batteries musically on a personal walk between the continents.
In addition to a work by Boris Filanovsky, which is literally composed for a passing audience, various ensembles of the orchestra, spread across the extensive grounds, create small musical oases, sometimes entertaining, sometimes contemplative or as if from another world.
The concert is included in park admission.
Programme:
Boris Filanovsky „Arkhitekton Lambda“
At the “Gräserband” crossroads next to the “Promenade Aquatica” water gardens
Approx. 2.00 – 2.35 pm
About the piece:
Arkhitekton is the general name for three-dimensional cubist abstractions developed by Kazimir Malevich. Malevich labelled them in Greek letters and regarded them as a three-dimensional version of the “movement of painterly masses and planes”.
In a spatial composition, the listener is usually either at the intersection of sound streams or has to move from one isolated sound object to another. Here, however, the orchestra appears as a complex body of sound that cannot be heard in its entirety from a single point, so that the listener has to move around and gradually change the acoustic focus. The result can therefore hardly be described as a musical work; here we are dealing with a kind of analogy to the “movement of painterly masses and planes” that I have tried to unfold in time and sound.
Paul Hindemith “Little Chamber Music for Flute, Oboe, Clarinet, Horn and Bassoon op 24 No.2”
In the flower theatre
Approx. 2.45 pm & 3.25 pm (15 min. each)
Benjamin Britten „Metamorphosen nach Ovid“
In the Chinese garden by the stone boat
Approx. 2.45 pm & 3.25 pm (15 min. each)
Joseph Hadyn „Lerchen Quartett“
In the Renaissance garden
Approx. 3.05 pm & 3.45 pm (20 min. each)
Brass Quintet
Meadow next to the Japanese Garden
Approx. 3.05 pm & 3.45 pm (20 min. each)
More concerts
Ton Koopman conducts Bach, Haydn, Händel & Rameau
Rameau, Bach, Händel, Haydn
Marta Gardolińska & Bomsori Kim
Bacewicz, Szymanowski, Mendelssohn Bartholdy