Walking concert Gärten der Welt Berlin
Boris Filanovsky
Arkhitekton Lambda fu¨r Orchester und Publikum in Bewegung
Paul Hindemith
Kleine Kammermusik für fünf Bläser op. 24 Nr. 2
Benjamin Britten
“Metamorphosen nach Ovid” für Oboe solo
Joseph Haydn
Streichquartett D-Dur op. 64 Nr. 5 Hob III:63 (“Lerchenquartett”)
“Bal”
Thomas Jahn
“Ballad”
Kurt Weill
“Mack the Knife” aus “Die Dreigroschenoper”
Thomas Jahn
“Slow Fox”
John & Paul Lennon & McCartney
“Michelle”
Thomas Jahn
“Bossa Nova”
Thomas Jahn
“Valse Boston”
Chris Hazell
“London Catwalk”
Gabriele Bastian
Oboe
Rudolf Döbler
Flute
Gudrun Vogler
Oboe
Gudrun Vogler - Oboe

Gudrun Vogler has been an oboist and English horn player with the Berlin Radio Symphony Orchestra since 2002.
From 1988 to 1992, she was the principal oboist at the National Theatre Weimar.
As a two-time prizewinner of the ARD Music Competition in the field of chamber music with the wind quintet “Kammervereinigung Berlin,” she recorded CDs with this ensemble for renowned labels, initially performing extensively throughout Germany and later internationally.
As a member of the specialized ensemble for contemporary music “KNM Berlin,” where she was active from 1992 to 2019 and performed in cities such as Buenos Aires, Tokyo, and Taipei, she explored her role as an instrumentalist, performer, and creative and vibrant interpreter with great curiosity and joy.
Since 2015, she has also been involved in the music education program of the RSB. As a music ambassador in classrooms, she shares her enthusiasm for classical music with young people in schools. She has developed concepts for children’s and youth concerts in various teams.
In addition to her concert and chamber music activities in various ensembles and genres, she has been performing successfully and regularly as a member of the solo formation “Date for three” since 2016.
Barbara Pflanzelt
Clarinet
Sung Kwon You
Bassoon
Anne Mentzen
Horn
Enrico Palascino
Violin
Enrico Palascino - Violin

Enrico Palascino, born in 1982 in Turin, has been a member of the Berlin Radio Symphony Orchestra since 2011. He regularly performs as a chamber musician and soloist, and also works as a substitute with the Hessian Radio, Bavarian Radio, West German Radio, and the Konzerthausorchester Berlin. He began his violin studies at the age of 8 and later studied with Giacomo Agazzini at the Conservatorio Giuseppe Verdi di Torino. He then continued his studies with Valeri Gradow in Mannheim and Stephan Picard in Berlin, supported by the Claudio Abbado Music Foundation DESONO.
In parallel, he completed a supplementary chamber music program with Susanne Rabenschlag in Mannheim and became a prizewinner at the Federal Competition with the Yuval Quartet. This led to performances at the Schwetzinger Festspiele, live recordings with Deutschlandradio, and tours in Spain and Italy.
In 2016, he followed his family to Namibia. There, he co-founded a music school for disadvantaged children in Windhoek (YONA) with singer Gretel Coetzee. He also contributed to the re-establishment of the Namibian National Symphony Orchestra (NNSO), organized concerts, composed and arranged Namibian folk songs, and worked publicly to foster a better understanding of classical music in Namibia.
Since returning to Berlin in August 2018, he has continued his involvement with YONA and the NNSO. In his free time, he is passionate about training for triathlons.
Rodrigo Bauzá
Violin
Rodrigo Bauzá - Violin

Rodrigo Bauzá, born in 1983 in Formosa (Argentina), studied violin in Uruguay and Argentina with Jorge Risi and Ljerko Spiller, as well as with Alberto Lysy at the Menuhin Academy in Switzerland. He then continued his studies at the Hochschule für Musik und Theater in Leipzig, where he completed his diploma and concert exam under the guidance of Professor Mariana Sirbu.
Rodrigo Bauzá was a member of the Gewandhaus Orchestra Leipzig for several years, working with conductors such as Riccardo Chailly, Daniel Harding, and Gustavo Dudamel. Since 2014, he has been a member of the Berlin Radio Symphony Orchestra.
His chamber music partners have included Christian Zacharias, Caroline Widmann, Jean-Francois Heisser, and Marie-Elisabeth Hecker. From 2008 to 2013, he was a member of the Cuarteto Arriaga, with which he performed across Asia, Europe, and South America. The Cuarteto Arriaga has performed in venues such as the Wigmore Hall in London, the Schleswig-Holstein Festival, the Dolles Journées in Nantes and Tokyo, and the Quincena Musical de San Sebastián. They were invited by Gidon Kremer to the “Kammermusikfest Lockenhaus” and performed several times at the Palacio Real in Madrid, playing on the famous Stradivarius instruments owned by the Spanish royal family.
Rodrigo Bauzá is a highly versatile musician, also passionate about jazz, Argentine folk music, and tango. He was introduced to music as a child through the popular songs of his homeland and through improvisation. Upon arriving in Europe, he continued to explore these styles, studying jazz, among other subjects, at the Leipzig Conservatory, where he received lessons from pianist Richie Beirach. As a jazz violinist, he performs in various ensembles, including collaborations with Diego Piñera, Peter Ehwald, and Christian Ugurel. In Argentina, he has played with prominent musicians from the pop music scene, such as singers Juan Quintero and Liliano Herrero, as well as clarinetist Marcelo Moguilevsky.
In 2013, he founded the Cuareim Quartet, a string quartet that primarily focuses on jazz through original compositions and arrangements. The Cuareim Quartet recorded their first CD in 2015, together with Marcelo Moguilevsky.
Gernot Adrion
Viola
Gernot Adrion - Viola

Gernot Adrion has been the deputy solo violist of the Rundfunk-Sinfonieorchester Berlin since 1996.
He studied at the Meistersinger Conservatory in Nuremberg until 1995 with Hans Kohlhase and has been awarded prizes in various competitions, including the national competition “Jugend musiziert,” the IHK competition, the Dr. Drexel competition in Nuremberg, and the German Conservatory Competition in Darmstadt.
In addition to his pedagogical work as a mentor at the RSB Orchestra Academy, chamber music holds a special place in his heart. Since 2006, he has regularly collaborated with Susanne Herzog and Hans-Jakob Eschenburg in the Gideon Klein Trio, and since 2012, in a duo with pianist Yuki Inagawa.
Gernot Adrion plays a viola by Petrus Gaggini.
Georg Boge
Violoncello
Jonathan Bucka
Trumpet
Simone Gruppe
Trumpet
Simone Gruppe - Trumpet

Born in Frankfurt am Main in 1984, Simone Gruppe received her first trumpet lessons at the age of 9 at the Frankfurt Youth Music School with Sunhild Pfeiffer. After graduating from high school, she first studied with Prof. Klaus Schuhwerk, Heiko Hermann and Balázs Nemes at the Frankfurt University of Music and with Prof. Sepp Eidenberger at the Bruckner University in Linz/Austria. She then moved to the Hochschule für Musik Karlsruhe to study with Prof. Reinhold Friedrich, where she completed her master’s degree with distinction.
She gained orchestral experience in the European Youth Orchestra (EUYO) and the Gustav Mahler Youth Orchestra, among others. After internships with the orchestra of the National Theater Mannheim and the Stuttgart Philharmonic, she has been a member of the Rundfunk-Sinfonieorchester Berlin since 2010.
Uwe Holjewilken
Horn
Edgar Manyak
Trombone
Jörg Lehmann
Bassposaune
Jörg Lehmann - Bassposaune

Jörg Lehmann was born in Eisenhüttenstadt in 1962 and studied bass trombone with Hans Behrends at the Hanns Eisler Academy of Music in Berlin from 1979-1983.
After working as a substitute at the Komische Oper Berlin, he won the audition there and was bass trombonist from 1983-1986 under the then chief conductor, Prof Rolf Reuter.
In the same year he switched to the Rundfunk-Sinfonieorchester Berlin, under Prof. Heinz Rögner, later Rafael Frühbeck de Burgos and then for a long time under Marek Janowski.
Jörg Lehmann has played with various orchestras, including the Berlin Philharmonic, the Deutsche Oper Berlin, the Staatsoper Berlin, the Gewandhausorchester Leipzig and the Sächsische Staatskapelle Dresden under renowned conductors such as Giuseppe Sinopoli, Claudio Abbado, Seiji Ozawa, Sir Simon Rattle, Andris Nelsons and Christian Thielemann.
In addition to his orchestral activities, Lehmann is an enthusiastic chamber musician.
He was a founding member of the Berlin Trombone Quintet and a permanent member of the Ludwig Güttler Brass Ensemble.
Numerous guest appearances have taken him to other European countries, Asia, North and South America, the Middle East and Africa.
Jörg Lehmann now devotes himself to concert literature for trombone and organ.
Rundfunk-Sinfonieorchester Berlin
On Pentecost Sunday, the Rundfunk-Sinfonieorchester Berlin will swarm out into the countryside to make music in the open air in the Gardens of the World.
The park not only offers a refuge for flora from all over the world, but is also a charming place to recharge your batteries musically on a personal walk between the continents.
In addition to a work by Boris Filanovsky, which is literally composed for a passing audience, various ensembles of the orchestra, spread across the extensive grounds, create small musical oases, sometimes entertaining, sometimes contemplative or as if from another world.
The concert is included in park admission.
Programme:
Boris Filanovsky „Arkhitekton Lambda“
At the “Gräserband” crossroads next to the “Promenade Aquatica” water gardens
Approx. 2.00 – 2.35 pm
About the piece:
Arkhitekton is the general name for three-dimensional cubist abstractions developed by Kazimir Malevich. Malevich labelled them in Greek letters and regarded them as a three-dimensional version of the “movement of painterly masses and planes”.
In a spatial composition, the listener is usually either at the intersection of sound streams or has to move from one isolated sound object to another. Here, however, the orchestra appears as a complex body of sound that cannot be heard in its entirety from a single point, so that the listener has to move around and gradually change the acoustic focus. The result can therefore hardly be described as a musical work; here we are dealing with a kind of analogy to the “movement of painterly masses and planes” that I have tried to unfold in time and sound.
Paul Hindemith “Little Chamber Music for Flute, Oboe, Clarinet, Horn and Bassoon op 24 No.2”
In the flower theatre
Approx. 2.45 pm & 3.25 pm (15 min. each)
Benjamin Britten „Metamorphosen nach Ovid“
In the Chinese garden by the stone boat
Approx. 2.45 pm & 3.25 pm (15 min. each)
Joseph Hadyn „Lerchen Quartett“
In the Renaissance garden
Approx. 3.05 pm & 3.45 pm (20 min. each)
Brass Quintet
Meadow next to the Japanese Garden
Approx. 3.05 pm & 3.45 pm (20 min. each)