Schumann and Beethoven
Schumann's long underestimated violin concerto in a chain of inspiration from the classical era to the present day
Aribert Reimann “Seven Fragments” for orchestra (in memoriam Robert Schumann)
Robert Schumann Violin Concerto in D minor
Ludwig van Beethoven Symphony No. 2 in D major, op. 36
Dima Slobodeniouk - Conductor
Carolin Widmann - Violin
Dima Slobodeniouk - Conductor
Lauded for his deeply informed and intelligent artistic leadership, Dima Slobodeniouk has held the position of Music Director of the Orquesta Sinfónica
de Galicia since 2013, which he combines with his more recent positions as Principal Conductor of the Lahti Symphony Orchestra and Artistic Director of the Sibelius Festival following his appointment in 2016.
Linking his native Russian roots with the cultural influence of his later homeland Finland, he draws on the powerful musical heritage of these two countries. He works with orchestras such as the Berliner Philharmoniker, Gewandhausorchester Leipzig, Symphonieorchester des Bayerischen Rundfunks, London Philharmonic, London Symphony Orchestra, Finnish Radio Symphony, Chicago, Houston and Baltimore as well as Sydney Symphony Orchestras.
Summer 2018 sees Slobodeniouk give his debut with the Boston Symphony Orchestra and Joshua Bell at the Tanglewood Music Festival. Further highlights are his debuts with the Royal Concertgebouw Orchestra Amsterdam, Rotterdam Philharmonic, ORF Radio-Symphonieorchester Wien at the Musikverein, Bayerisches Staatsorchester Munich, Minnesota, Seattle and Milwaukee Symphony Orchestras, NHK Symphony Orchestra and Seoul Philharmonic Orchestra as well as West Australian Symphony Orchestra. He returns to WDR Sinfonieorchester Cologne with Yefim Bronfman, Rundfunk-Sinfonieorchester Berlin, Dresdner Philharmonie, Netherlands Radio Philharmonic Orchestra, Finnish Radio Symphony, Helsinki Philharmonic and New Zealand Symphony Orchestras.
In Lahti, Slobodeniouk opens the 2018/19 season with Joseph Canteloupe’s Chants Auvergene and Beethoven’s Eroica Symphony, before he takes the orchestra on tour to China including Shanghai Arts Festival. In Galicia he launches the new season with Patricia Kopatchinskaja and Shostakovich Symphony No 11. Other soloists he works with include Nicolas Altstaedt, Leif Ove Andsnes, Khatia Buniatishvili, Vilde Frang, Vadim Gluzman, Johannes Moser, Baiba Skride, Simon Trpceski, Yuja Wang and Frank Peter Zimmermann.
Slobodeniouk’s discography was recently extended by recordings of works by Stravinsky with Ilya Gringolts and Orquesta Sinfónica de Galicia (BIS) and works by Aho with Lahti Symphony Orchestra (BIS), the latter received the BBC Music Magazine award 2018. He has previously recorded works by Lotta Wennäkoski with Finnish Radio Symphony Orchestra (Ondine) and works by Sebastian Fagerlund with Gothenburg Symphony Orchestra (BIS).
Moscow-born Dima Slobodeniouk studied violin at Moscow Central Music School under Zinaida Gilels and J. Chugajev, the Middle Finland Conservatory as well as the Sibelius Academy under Olga Parhomenko. He continued his Sibelius Academy studies with Atso Almila also under the guidance of Leif Segerstam and Jorma Panula, and has also studied under Ilya Musin and Esa-Pekka Salonen. Striving to inspire young musicians of the future, Slobodeniouk has worked with students at the Verbier Festival Academy over recent years and furthermore began a conducting initiative with the Orquesta Sinfónica de Galicia, providing an opportunity for students to work on the podium with a professional orchestra.
Carolin Widmann - Violin
A wonderfully versatile musician, Carolin Widmann’s activities span the great classical concerti, new commissions specially written for her, solo recitals, a wide variety of chamber music and, increasingly, period instrument performances, including play/direction from the violin.
Widmann was awarded the Bayerischer Staatspreis for music in 2017, honouring her individuality and exceptional musicianship. Widmann was also the recipient of an International Classical Music Award (Concerto category) for her critically acclaimed recording of both Mendelssohn’s and Schumann’s Violin Concertos with the Chamber Orchestra of Europe, released in August 2016 by ECM and which Widmann herself conducted from the violin.
Named ‘Musician of the Year’ at the International Classical Music Awards 2013, Widmann has enjoyed collaborations with some of the world’s leading orchestras include the Philharmonia Orchestra, Royal Stockholm Philharmonic, Seattle Symphony, Deutsche Symphonie-Orchester Berlin, Leipzig Gewandhaus, Orchestre National de France, Tonhalle Zurich, Czech Philharmonic, Vienna Radio Symphony, Bayerische Rundfunk, and Sydney Symphony, with distinguished conductors such as Sir Simon Rattle, Riccardo Chailly, Sir Roger Norrington, Edward Gardiner, Sakari Oramo, Vladimir Jurowski, Marek Janowski, Christoph von Dohnányi and Pablo Heras-Casado. She has also appeared at such widely known festivals as Berliner Festspiele, Salzburg, Lucerne, Festival d’ Automne, Ravinia Festival and Mecklenburg-Vorpommern. During the 2014-15 season, Widmann was Artist-in-Residence at the Alte Oper, Frankfurt, which included numerous recital and chamber performances and a play/direct project on gut strings with Akademie für Alte Musik Berlin. That season also saw Widmann perform the world premiere of a new violin concerto written for her by Julian Anderson, at the Southbank Centre with the London Philharmonic under Vladimir Jurowski.
Following the release of Widmann’s critically acclaimed Mendelssohn/Schumann Concerto’s disc, the 2017/18 season saw her give performances with the BBC Symphony, Stockholm Philharmonic, Bayerische Rundfunk, NDR Radiophilharmonie, Residentie Orkest, and RTE National Symphony Orchestra of Ireland, as well as recitals at the Ultraschall Berlin, Bozar Brussels, in Salzburg and Fribourg and chamber music projects in Vienna, Schweinfurt, Neumarkt and the Mecklenburg-Vorpommern Festival.
Highlights of Widmann’s 2018-19 season include invitations to the Berliner Philharmoniker, Netherlands Radio Philharmonic, BBC Philharmonic, RSB Orchester Berlin, London Philharmonic, Gulbenkian Orchestra, BBC Scottish Symphony, Orchestra della Svizzera italiana and the MDR Sinfonieorchester Leipzig. She will also perform the world premiere of Jörg Widmann’s Violin Concerto No 2 at Suntory Hall in Tokyo and will perform the work in Europe with Orchestre de Paris and Swedish Radio Symphony Orchestra under Daniel Harding and Frankfurt Radio Symphony Orchestra at the Alte Oper under Andrés Orozco-Estrada.
A prolific chamber musician, Carolin appears regulary at the leading concert halls including Wigmore Hall, Bozar in Brussels, Festspielhaus Baden Baden and the Alte Oper in Frankfurt. This season she will embark on major recital tours of North and South America, Italy and she will return to the Wiener Konzerthaus to perform an all Beethoven recital as part of their Beethoven celebrations.
Her discs of Schubert and Schumann sonatas received critical acclaim including the “Diapason d’Or” and the German Record Critics’ Award. In 2006, Carolin Widmann’s debut CD, “Reflections I,” was named “Critics’ Choice of the Year” by the German Record Critics’ Award Association. Her recording of Morton Feldman’s concerto “Violin and Orchestra” with Frankfurt Radio Symphony Orchestra under Emilio Pomárico was released in 2013.
Widmann has a special interest in connecting with other art forms; she has performed in choreographed concerts by dancer Sasha Waltz (at the Mozartwoche Salzburg and the opening week at the Elbphilharmonie Hamburg), played a solo recital in a football stadium in Frankfurt at a project curated by architect Daniel Libeskind, and has designed concert programmes to be performed at museums such as the Museum Ludwig Cologne and the Museum of Modern Art MMK in Frankfurt. In March 2019, she will be part of a project by performance artist Marina Abramović.
Carolin Widmann was born in Munich and studied with Igor Ozim in Cologne, Michèle Auclair in Boston and David Takeno at the Guildhall School of Music and Drama in London.
Since 2006, she has been professor of violin at Leipzig’s University of Music and Theatre “Felix MendelssohnBartholdy”.
Carolin Widmann plays a G.B. Guadagnini violin from 1782.
Thu 8 November 2018 - 8 pm Philharmonie Berlin
- from € 20
- Pre-concert talk with Steffen Georgi: 6.45 pm, Hermann-Wolff-Saal
As the Berlin Philharmonic Hall is a listed building, unfortunately it is not fully accessible in all areas. Further information regarding entrances for the disabled, places in the disabled box, and offers of help for the sight and hearing impaired are available on the website of the Philharmonie.
Concert visitors with severely disabled passes marked B will receive a free ticket for their escort when buying a ticket. Our visitor service (link) is happy to assist with any further questions. On site, you can contact the staff of the events service EVENTTEAM, who will be happy to help you in any way.
The building opens one hour before the start of concerts.
Please note that visitors may not take large bags, rucksacks or coats into the concert hall with them. However, coats can be handed in, free of charge at the cloakrooms in the foyer or on the first floor opposite Block A right. Please collect your coats and items of luggage as soon as possible after the end of the concert. Personal items which are not collected in good time will be left with the porter at the stage door (in the direction of Potsdamer Platz) and can be collected from there upon presentation of your cloakroom ticket.
There is no fixed dress code for concerts by the RSB. Depending on your taste and how you feel most comfortable, you can attend in suit or evening gown, or in jeans and a T-shirt, for example.
Symphonic and chamber music concerts generally take 2 hours including a 20-minute interval.
Attention is drawn to significant deviations from this rule in the concert calendar.
Snacks and drinks are sold in the foyer of the Philharmonie before concerts and in the concert intervals. These can be ordered in advance for the opening of doors and the interval, please ring tel. 030 265 15 24 or via email to email@example.com.
No food or drink may be taken into the concert hall.
Steffen Georgi, dramaturge of the RSB, offers free introductory talks to most symphonic concerts in the auxiliary rooms of the Konzerthaus or the Philharmonie. These take place 50 minutes (in the Philharmonie) or 60 minutes (in the Konzerthaus) before the start of the concert. The introductory talks will take place in German language. All relevant details may be found in our annotated concert calendar; see entries on respective concert dates.
Should you arrive too late for a concert, it will depend on the works being played when and whether there will be late admissions. Please speak to the staff of the respective venue. It may not be possible for you to take up your actual seat until the concert interval, as the music cannot be disturbed. No refund on ticket prices is possible.
Our programmes are sold by the admission stewards before each concert and in the interval, costing 3 € each.
RSB subscribers receive a free copy of the relevant programme on presentation of a voucher.
Special group rates are available for school pupils and travel groups, companies, societies and major customers. Please contact our visitor service directly if you are interested.
School pupils, trainees and students up to the age of 27, as well as the unemployed, can buy tickets for the RSB's own concerts for 10 € each at the evening box office before the respective concert. This offer applies only when tickets are still available. The organisers take responsibility for the disposition of the tickets. Reductions can be granted only when buying tickets personally and presenting the corresponding documents and personal identification. No more than one reduced ticket per person may be purchased. This ticket is non-transferrable. Severely disabled persons entitled to an escort can address their request for tickets to the visitor service. This service is happy to offer advice regarding the contingent of places available.
› for all those under 30
› Sit in the best seats for one year as from date requested
› Fixed price of 8 € for concerts or 10 € for opera and ballet (depending on availability at the evening box office)
› valid all participating ensembles' own events and venues: RundfunkSinfonieorchester Berlin, Rundfunkchor Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Konzerthaus Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Staatsoper im Schiller Theater, Staatsballett Berlin › Monthly bonus and visits to rehearsals, raffle to win a role as an extra etc. › All advantages for only 15 €, further information: www.classiccard.de
› for young people aged 14 to 21 › Experience Berlin's top musicians: Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, Konzerthausorchester Berlin, Berliner Philharmoniker, Junge Deutsche Philharmonie, Bundesjugendorchester › Six concerts per season for a package price of only 36 € › Additional bonus as well as special concert introductions, talks with musicians etc., further information: www.berlinerjugendabo.de
It is possible to buy your tickets online at www.rsb-online.de , by telephone, email or in person at our visitor service, or at the daytime or evening box office. Book your tickets until the last working day before the respective concert on our homepage and simply print them out at home in A4-format. Payment is by credit card; a processing fee of 2 € will be charged. This possibility is available for concerts in the Konzerthaus Berlin and the Philharmonie Berlin. All theatre box offices, travel agents and advance ticket sales offices in Berlin and Brandenburg affiliated to “eventim” also sell tickets for concerts by the RSB. The customary advance ticket fees and, where relevant, costs for postage will be charged. The evening box office opens one hour before the concert starts on the day of the concert. If an introductory event is taking place before the concert, the evening box office will open 90 minutes before the concert begins.
Route directions & parking location
It is easy to access the Philharmonie by public transport:
Buses M84, M85, N2 to Kulturforum or Varian-Fry-Str. or Potsdamer Platz + 4 minutes walk, 200 to Philharmonie
Underground U2 to Potsdamer Platz + 10 minutes walk
S-Bahn (city railway) S1, S2, S25, S26 and regional trains to Potsdamer Platz + 10 minutes walk
Current information: due to building works around the Philharmonie, traffic is being diverted in the area of Herbert-von-Karajan-Straße and Tiergartenstraße. For further information, please consult the website of the Philharmonie.
There are a limited number of charged parking spaces on the site of the Philharmonie:
per hour or part-hour 2.50 Euros
day maximum 20.00 Euros
lost ticket 20.00 Euros
evening rate 7 pm to 5 am 7.00 Euros
Sunday flat rate 6.00 Euros
Please also use parking possibilities in the Sony Center (entrances Ben-Gurion- and Bellevuestraße) as well as Potsdamer Platz Arkaden (entrance to underground parking on Reichpietschufer) and in the car park on Schöneberger Ufer. All these are public parking areas belonging to the City of Berlin, on behalf of which they are administrated by APCOA Autoparking GmbH.
The public parking areas on Herbert-von-Karajan-Straße (on the western side of the Philharmonie) provide a limited number of identified parking spaces for the disabled. Unfortunately, it is generally not possible to reserve parking spaces.